On June 23, 1962, in Mansfield, Ohio, the brutal murder of two young girls led to the arrest of Jerrell R. Howell, who admitted to the killings after a struggle to force them “to perform oral sodomy.” 

After seeing my first Michael Haneke film, I left the theater sick to my stomach. Perhaps this is not the most obvious compliment to pay a director, but there is a visceral effect to Haneke’s work that I would be remiss in not sharing.

Pipilotti Rist is a master at combining environments, imagery, sound, and video to create an alternate reality.

He sits there and regards the waitress, wondering what she would think if she knew he occasionally followed her home; if she knew about the Window Trick; if she knew how her breath sometimes sped in the dark; how once he touched her sleeping throat and her back arched, or how she then rolled over.

Artist Lorna Simpson has turned from photography to film, creating three-dimensional installations on voyeurism, betrayal and desire. She has returned to photography for her show, Gathered, up at the Brooklyn Museum through Aug. 21.

Gregory Crewdson’s photographs of expansive dioramas recall Duchamp, Emerson, and the American suburbs. The documentary Gregory Crewdson: Brief Encounters is in limited release now.

Dickson’s paintings documented the isolation and the life of Times Square pre-vamp. She and Sylvère Lotringer discuss the suburbs, demolition derby and becoming American.

“I’m trying to find out what my relationship to the body is, the comfort and discomfort, the appropriate and the inappropriate.”

Metz explores the public work and solitary life of Dan Graham.

It was a bright afternoon near the end of March, a day filled with the strange and fragile sense that at any moment all that was clear might be taken away and replaced with a dark and heavy rain.

“I think photographs take the richness of our temporality and reduce it.”

A discussion between long-time BOMB contributor Gary Indiana and the late Robert Mapplethorpe on the New York art scene of the late 1980s and the difficulties of intimacy, comfort and eroticism in photography and portraiture.

Cindy Sherman’s earliest photographic work displayed her posed tauntingly in sets. Mimicry, mostly of ’50s and ’60s film, they anticipated a voyeuristic response.

When at last I saw him  

Taylor Mead, Alf Young, and Jon Leon take a trip down memory lane reminiscing on moments of spontaneous naturalism, nude beaches, and being an outsider.

A look at surveillance produced by Stephen Torton with Myriam von Skramlik, Carlo Mori, Franck Goldberg, Joe Barrio, and Dan Amaril.

In conversation, filmmakers Bette Gordon and Karyn Kay pinpoint women’s desire and experience in and out of film.