Video Art
Working on the cutting-edge of science and technology.
Working on the cutting-edge of science and technology.
An artist’s book investigates domestication and its limits.
An artist working to unveil ugly truths.
The artist mines the visual languages of virtual reality, contemporary dance, music videos, ancient Roman architecture, and West African shrouding rituals to create a “weird, metastasized utopia” of digital social space.
On the heels of a theatrical run of Price’s evolving film Redistribution, the two artists discuss the ethics of streaming, artworks on the verge of falling apart, SoundCloud mixes, and the chaos of assigning cultural value in the twenty-first century.
A video work documents wolves and the Wolf Clan.
With contributions from Naeem Mohaiemen, Martha Rosler, Devin Kenny, Swoon, and more.
Notions of ecological precarity and technological mediation enfold in the degraded landscape; the video artist surveys her decades of prescient and pressing work.
Infinite loop videos.
The New York-based painter and video artist on the tragicomic nature of wannabes and scenesters.
Community in a bathhouse.
Before the premiere of their multimedia collaboration LIGATURE, visual artist Auerbach and saxophonist Hillmer talk about connectivity, geometry, and the nature of mind.
On storytelling, seriality, and a shared love of clichés.
Mediating art, space, and the self on screens.
Building empathy through simulated pickup artistry.
Portraiture as a form of mapping.
Lost in history’s labyrinth.
The effects of incarceration.
Shifting between a Marie Antoinette wig, a fake mustache, and a bald cap, the sculptor and filmmaker plays all three corners of a love triangle in After the fire is gone.
An exhibition exploring forms of repetition and difference.
