Video Art

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Vulnerable Avatars: Heidi Hahn and Shana Moulton in Conversation
Moulton Hahn 04

On storytelling, seriality, and a shared love of clichés.

Virtual Drift: Li Ming Interviewed by Yuan Fuca
Li Ming1

Mediating art, space, and the self on screens.

One Unsettling Night in a Bar: Angela Washko’s The Game: The Game by Daniella LaGaccia
The Game1

Building empathy through simulated pickup artistry.

Modernism and Dystopia: Catherine Opie Interviewed by William J. Simmons
Opie44

Portraiture as a form of mapping.

Bare Life: Naeem Mohaiemen’s There Is No Last Man by Tom McDonough
Mohaiemen1

Lost in history’s labyrinth. 

Who Is More Guilty? Sable Elyse Smith’s Ordinary Violence by Rabia Ashfaque
Smith 11

The effects of incarceration. 

Cate Giordano by Amy Ruhl​
Cate Giordano 1

Shifting between a Marie Antoinette wig, a fake mustache, and a bald cap, the sculptor and filmmaker plays all three corners of a love triangle in After the fire is gone.

Word Prompts: Matt Keegan’s Replicate by Claire Barliant
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An exhibition exploring forms of repetition and difference.

Vesuvius in Your Mind: On Joan Jonas’s Early Films by Mónica Savirón
Joan Jonas Films 01

Uncovering the artist’s innovations and legacies.

Nina Katchadourian by Mónica de la Torre​
Katchadourian Nina 01

Embracing boredom and creative constraints, Katchadourian tells of in-flight artwork and other conceptual projects.

Fall Arts Preview
Bernadette Mayer Memory 01

Upcoming shows, retrospectives, and museum openings highlighted by Maika Pollack, Ratik Asokan, Alex Zafiris, Gideon Jacobs, Michael Barron, Wendy Vogel, Zack Hatfield, and Legacy Russell

Portfolio by Gabriela Vainsencher
Gabriela Vainsencher Negative Capability 01

“Eh…”

Ed Atkins by Terence Trouillot
Ed Atkins Bomb Magazine 01

Like his older compatriot Mark Leckey, Atkins deftly utilizes syncopated montages of sounds and filmic images to create disturbing and disorienting virtual realities.

TV Personality by Rebecca Cleman
Jaime Davidovich 01

The legacy of Jaime Davidovich

Laurie Simmons’s My Art by Judith Hudson
Laurie Simmons 01

Taking cinema’s portrayal of artists personally

Postcommodity by Rob Goyanes
Postcommodity Bomb 5

“Moving bodies generate this system. They create, supposedly, some justification to play this market out.”

Beatriz Santiago Muñoz by Jeanine Oleson
280859765 03272017 Beatriz Santiago Munoz Bomb 01

Concerned primarily with Puerto Rico and the Caribbean, where she lives and works, her works defy categorization or any simple read. Rather, they are rich entanglements of place, history, and time.

Steffani Jemison by Ben Lerner
Steffani Jemison Bomb 01

Early film, nineteenth-century science fiction, and experimental musical languages serve a young artist’s explorations of race and our political present.

Steve McQueen’s Ashes by Claire Barliant
Steve Mcqueen 01

Life and death juxtaposed

Aki Sasamoto’s Delicate Cycle by David Everitt Howe
Aki Sasamoto 01

With charmingly deadpan humor, Aki Sasamoto’s performances and installations tease out just how small human existence is; despite our more evolved intellect, advanced motor skills, and ability to read and appreciate Proust, we’re all basically rats at heart, just with the added bonus of self-reflection and a love for rosé.

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