Grounded in the rhythms and vernacular of Brazil’s periferias, the writer’s debut story collection, The Sun on My Head, centers on the lives of young men growing up in Rio’s favela communities.
The Bauhaus tends to be presented through the lens of its creative and intellectual diaspora.
“Any take [Noll] has on arguments dimly recognizable from contemporary thought will be an unusual one.”
The poet and artist invokes ancient matriarchal cultures, Indigenous folkways, and the speculative capacities of language so that we might rediscover our kinship with nature.
The poet’s first novel, Eleanor, or, The Rejection of the Progress of Love, concerns a woman’s unnamed grief, as well as the meta-dialogue between the narrative’s author and the critic reading her manuscript.
On translating avant garde and genderless literature.
With severed gills and heads, the sea bream—lives spent / in a lacquered wooden bowl, waiting / on the sullied hands of men—in example / of The Resurrection of Christ, wake from death.
An anti-novel about the value of the unseen, unknown, and unwritten.
The use and abuse of art in an imperfect world.
We are street people. Nomadic by nature. We are the grandchildren of poor, adventurous strangers. Our living radicalizes their legacy.
The novelist’s latest imagines an apocalypse that feels all too likely.
The celebrated Argentine novelist on writing about writers, avoiding labels, and why critics shouldn’t write fiction.
The poet on the politics of the gaze, the migratory act of reading, the anxiety of bilingualism, and the universality of shame.
I have let a prudent amount of time go by and now believe, or more, I am absolutely certain that your spirit will find it auspicious to be in contact with me. I am a reincarnation of a friend you had in other times.
Disfiguring the hegemony of standard English.
In An Approach, the sentence gradually evolves: word choices change subtly; phrases are introduced, transposed, or deleted; punctuation shifts and changes form. Through these shifts and disruptions, the text begins to accede to a nonlinear logic, through which we can glimpse “the unspoken, which is its subject, between the words, through the words.”
Fabulism and absurdity from an under-appreciated Italian master.
Autofiction that explores the borderland between memoir and vision quest.
“All our worst mistakes begin as fiction in our lives.”