Transcendence

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Mark McKnight
Mark McKnight, If Water Forgets How To Play Mirror

In Mark McKnight’s photographs, the material of the terrestrial world merges with a celestial aspect. Dark bodies, asphalt, oily birds, decomposing stone, and dimpled flesh all radiate from a field of tarry shadow.

Mark McKnight
Mark McKnight, If Water Forgets How To Play Mirror

In Mark McKnight’s photographs, the material of the terrestrial world merges with a celestial aspect. Dark bodies, asphalt, oily birds, decomposing stone, and dimpled flesh all radiate from a field of tarry shadow.

David Lynch by Michael Saur
David Lynch, Self Portrait

David Lynch discusses painterly filmmaking, the importance of having final cut, and his latest musical project, The Big Dream, released July 16th.

April Bernard’s Miss Fuller by Mimi Thompson
Ec Miss Fuller

April Bernard began Miss Fuller to explore the pathos of Margaret Fuller’s short, freethinking life.

Charles Long by Andrew Winer
Long 9 Body

“But here is what is most important to me—throwing myself into the present, the unanswerable, the unknown, the unquantifiable.”

Eve Sussman by Matvei Yankelevich
Eve Sussman 10 Body

Sussman’s remarkable new film, whiteonwhite:algorithmicnoir is an sci-fi narrative that constantly re-edits itself. The filmmaker talks to poet Yankelvich about outdated notions of the future, Malevich and Kazakh deserts.

Michael Goldberg by Saul Ostrow

Michael Goldberg (1924–2007) was BOMB’s most knowledgeable and discerning editor, one of America’s greatest painters, and one of our very dearest friends.

Kenji Fujita  by Betsy Sussler
Fujita01 Body

Found-objects sculptor Kenji Fujita talks with Betsy Sussler about why he is able to endow a group of otherwise ordinary materials with such poignancy and such grace.

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