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From the Archive: Suzan-Lori Parks by Han Ong
Slp Peach

Suzan-Lori Parks revisits her 1993-94 interview by Han Ong. She assures us that “all these years later I’m still growing as an artist, as a person. XOXO”

From the Archive: Suzan-Lori Parks by Han Ong
Slp Peach

Suzan-Lori Parks revisits her 1993-94 interview by Han Ong. She assures us that “all these years later I’m still growing as an artist, as a person. XOXO”

Katiana Rangel by Lori Goldston
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Ligia Lewis by Catherine Damman
23263 C Julien Barbe S Ligia Waterwill

The recent conclusion of the choreographer’s trilogy, Water Will (in Melody), employs mime, gothic imagery, and a Grimm tale, to consider entanglements of nature, the feminine, and blackness.

This Broken, Jarring Thing: Enda Walsh Interviewed by Tadhg Hoey
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The Irish playwright on grief, adaptation, and the possibilities of form.

Jessica Grindstaff of Phantom Limb by Sophie Hunter
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The final part of a performance trilogy on climate change, Falling Out fuses puppetry, Butoh, and Flex, to reflect on the Fukushima Daiichi nuclear disaster.

Evidence of Things Unseen: Geraldine Inoa’s Scraps by Sasha Bonét
Scraps4 Hunter Canning

The award-winning television writer traces inherited traumas in her debut stage production.

Reza Abdoh’s Cultural Compost: Negar Azimi and Tiffany Malakooti Interviewed by Sohrab Mohebbi
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An ecumenical, eccentric, ecstatic, illegible, undigestable stew.

Weird Science: Built For Collapse’s DANGER SIGNALS by Amber Power
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The gendered history of lobotomy.

Kaneza Schaal by Christopher Myers
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Putting diverse cultural and aesthetic traditions in dialogue, Schaal’s new performance work, Jack &, is a comedy of errors based on prison reentry programs and debutante balls.

Postmodern Pilgrims: Richard Maxwell’s Paradiso by Helen Shaw
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The third in a series of plays inspired by the Divine Comedy

Branden Jacobs-Jenkins by Hilton Als​
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The playwright discusses his formative years, rejuvenation of historical material, and how race is coded into theatergoing itself.

Getting Unfragmented: Sean Lewis Interviewed by Nova Benway
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“The looks we get at reality are really only guesses.”

Suzanne Bocanegra by John Haskell
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By casting actors to perform as herself, Bocanegra considers “the nature of presentation itself.” Lili Taylor stars in her Farmhouse/Whorehouse at BAM’s Next Wave Festival this December.

Ieva Misevičiūtė by Melanie Bonajo
Ieva Miseviciute Bomb Magazine 01

A performance artist who grew up in the circus uses clowning, street dance, and butoh in playful and provocative combinations.

Guillermo Calderón’s Villa by Tom Sellar
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It takes a rare kind of playwright to evoke the head-spinning contradictions in our national political psyches.

Thomas White by Nicholas Elliott

“If someone hands over their repertory theater group to you, what are you going to do with them?”

Paulina Olowska’s Slavic Goddesses—A Wreath of Ceremonies by Charity Coleman
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A feminist paean from one Polish artist to another

Olivier Assayas by Alex Zafiris
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Time, sharing pain, and theater versus cinema.

Charlie Victor Romeo by Gary M. Kramer
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Transcripts, technical language, and airline disasters.

Melvin Van Peebles by Lee Ann Norman
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Artistic development, near-death experiences, and the power of persistence.

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