Textiles

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Intimate Variations: Other Romances at Rachel Uffner Gallery by Katherine Brewer Ball
Romances1 New

Extending the possibilities of relation.

Invisible Labors: Rahul Jain’s Machines by Kanishka Raja
Rahul Jain Bomb 1

A documentary on the brutality behind India’s textile factories.

Sheree Hovsepian by Haley Mellin
Sheree Hovsepian Bomb 01

Hovsepian addresses current matters in her work, but she does so in a vocabulary that moves beyond binaries and beyond Western mentality, one that follows a different way of thinking and feeling.

Jen Bervin and Dianna Frid
Dianna Frid 03 Bomb 137

Through sewing, weaving, and embroidery, two artists probe the boundaries between texts and textiles.

Leeza Meksin by Sophie Pinkham
Meksin 01

In the garden behind the gallery, Meksin installed Winglet, a huge piece of hot-pink open mesh layered with smaller pieces of bright-pink and neon-green patterned spandex.

Christa Maiwald by Alyssa E. Fanning
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Christa Maiwald discusses her transition away from video and the social and political implications of embroidery.

Phyllida Barlow & Vincent Fecteau
Barlow Fecteau 2001 1000

On sculpture’s theatricality and refusal to be imaged. 

Zoe Pettijohn Schade by Alyssa E. Fanning
Dark Harbinger

Zoe Pettijohn Schade on small-scale infinities, revitalizing the textile tradition and avoiding lengthy wall texts.

Nick Cave by Krystian von Speidel
​Nick Cave

Krystian von Speidel sits down with artist Nick Cave to talk about his incredible Soundsuits and his concurrent exhibits at Jack Shainman and Mary Boone Galleries. Cave shares his thoughts on pipe cleaners and fashion week, and invites everyone to come to his playground.

Joe Fyfe by Josh Blackwell
Dargah

Joe Fyfe tells painter Josh Blackwell about his involvement in abstraction as a by-product of loss and the wabi-sabi discovered on his travels to Vietnam, Sri Lanka, and Bangladesh.

Yinka Shonibare by Anthony Downey
Shonibare 03

Yinka Shonibare first came to widespread attention through his use of Dutch wax fabric, which he has used both as the ground of his paintings and to clothe his sculptures. 

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