Textiles

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Tethered Together: Liz Collins Interviewed by Svetlana Kitto
Liz Collins Explosion

Creating worlds and paying attention.

Forms of History: Andrea Geyer Interviewed by Matthew J. Abrams
Andrea Geyer1

Photographs and textiles that materialize community.

Intimate Variations: Other Romances at Rachel Uffner Gallery by Katherine Brewer Ball
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Extending the possibilities of relation.

Invisible Labors: Rahul Jain’s Machines by Kanishka Raja
Rahul Jain Bomb 1

A documentary on the brutality behind India’s textile factories.

Sheree Hovsepian by Haley Mellin
Sheree Hovsepian Bomb 01

Hovsepian addresses current matters in her work, but she does so in a vocabulary that moves beyond binaries and beyond Western mentality, one that follows a different way of thinking and feeling.

Portfolio by Liz Collins
Liz Collins Bomb 1

“Analogues for organizing and activism.”

Jen Bervin and Dianna Frid
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Through sewing, weaving, and embroidery, two artists probe the boundaries between texts and textiles.

Leeza Meksin by Sophie Pinkham
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In the garden behind the gallery, Meksin installed Winglet, a huge piece of hot-pink open mesh layered with smaller pieces of bright-pink and neon-green patterned spandex.

Christa Maiwald by Alyssa E. Fanning
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Christa Maiwald discusses her transition away from video and the social and political implications of embroidery.

Phyllida Barlow & Vincent Fecteau
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On sculpture’s theatricality and refusal to be imaged. 

Zoe Pettijohn Schade by Alyssa E. Fanning
Dark Harbinger

Zoe Pettijohn Schade on small-scale infinities, revitalizing the textile tradition and avoiding lengthy wall texts.

Nick Cave by Krystian von Speidel
​Nick Cave

Krystian von Speidel sits down with artist Nick Cave to talk about his incredible Soundsuits and his concurrent exhibits at Jack Shainman and Mary Boone Galleries. Cave shares his thoughts on pipe cleaners and fashion week, and invites everyone to come to his playground.

Joe Fyfe by Josh Blackwell
Dargah

Joe Fyfe tells painter Josh Blackwell about his involvement in abstraction as a by-product of loss and the wabi-sabi discovered on his travels to Vietnam, Sri Lanka, and Bangladesh.

Yinka Shonibare by Anthony Downey
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Yinka Shonibare first came to widespread attention through his use of Dutch wax fabric, which he has used both as the ground of his paintings and to clothe his sculptures. 

The Wandering Mind: Journals and Diaries by Oliver Herring
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April 1995 I was among 100 artists from around the world invited to participate in a three week long exhibition to honor lsrael’s “Year of Peace.” Construction in Process—Coexistence took place in and around Mitzpe-Ramon, a small desert town on the edge of the world’s largest crater.

Isaac Mizrahi by Elizabeth Cannon
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“I love a strapless dress that makes you look voluptuous. It’s an art form.”

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