Surveillance
The dance artist and choreographer discusses her praxis of fellowship and pleasure.
The dance artist and choreographer discusses her praxis of fellowship and pleasure.
This spring, Vienna’s experimental label for “new punk computer music,” Editions Mego, releases an anxiety-inducing record by Australian-born, Berlin-based sound artist Jasmine Guffond.
The New York-based artist discusses collaboration, deskilling, and life after the end of the world.
when you say / erase / do you mean / stop existing?
Art and exchange in extraterritorial territories
Risk, a new documentary by Laura Poitras, follows the Wikileaks founder as public perception sours.
An architect talks about her data maps of urban conflict from Brooklyn to Aleppo.
“The Internet is a predatory network that is, on one side, potentially a very coercive tool of totalitarian power and, on the other side, a tool that will increasingly be used to allocate rights and privileges through commercial means. Can we envision a different kind of network?”
Surveillance, J. Edgar Hoover, and effective activism.
When I arrived in London this past September to meet Adam Broomberg and Oliver Chanarin at their studio, the first thing we discussed was the power play between interviewer and interviewee.
Paper Clip is a weekly compilation of online articles, artifacts and other—old, new, and sometimes BOMB-related.
Paper Clip is a weekly compilation of online articles, artifacts and other—old, new, and sometimes BOMB-related.
On Siegel’s film Provenance and its insertion into the global circuit of art and design objects.
A swarm of biotechnological robot drones defends a fragile Eden from invasive species. The Earth’s hydrology cycles through a vast suspended infrastructure; 2,000 synchronized parts dance for droughts, rains, and floods.
JJ Peet might surreptitiously reach into a drawer of kernels, grab an equalizer in the form of a wire or a pin and apply it to one of the dueling opponents—a sock-covered brick (the Resistant) and a home-made miniature cannon (the Luxury Leader).
Ten years ago, during my first ever trip to Long Island, I was arrested in Montauk for federal trespassing.
Saul Ostrow on how Jon Kessler’s sculptures and installations explore the aesthetic and the role of technology and mass media in our lives.
In a word, Mary Ellen Carroll’s Federal is boring—and that’s why it’s so effective.
