The human element of architecture.
Shifting between the virtual and the real.
Making and unmaking idols.
Intimate portraits of performers.
Photography at the intersection of the historical and the prosaic.
A painter opens his studio.
On storytelling, seriality, and a shared love of clichés.
“I didn’t want to paint figuratively. I didn’t want something that was overtly referencing the social issues around me, but I wanted to find a way to describe them. How do you internalize this? How do you make a form that forces a painting to be an experience that is not necessarily easy to see, handle, or look at?”
A studio inside a museum.