Studio Practice

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Studio Visit: Greg Lindquist by Louis Bury
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Painting pollution.

Studio Visit: Landon Metz by Osman Can Yerebakan
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Paint as performance.

William T. Williams by Mona Hadler
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“I didn’t want to paint figuratively. I didn’t want something that was overtly referencing the social issues around me, but I wanted to find a way to describe them. How do you internalize this? How do you make a form that forces a painting to be an experience that is not necessarily easy to see, handle, or look at?”

Studio Visit: Alvaro Barrington at MoMA PS1 by Matthew J. Abrams
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A studio inside a museum. 

Studio Visit: Mathieu Malouf by Osman Can Yerebakan
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Bullies and glitter. 

Studio Visit: Nina Chanel Abney by Osman Can Yerebakan
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“Everything is equally treated.” 

Anoka Faruqee and Michelle Grabner
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Two artists find a mutual fascination with both the aesthetic qualities of repetition and the mechanical means of reproduction.

On the Clock with Amanda Ross-Ho by John Yau
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The gallery as studio.

Studio Visit: Cy Gavin by Ryan Chapman
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Paint and plenty of fauna in a Dutchess County barn

Portfolio by David Gilbert
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Suburban sprawl and craft-store spree meet creeping apocalyptic bleakness.

Portfolio by Jonathan VanDyke
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Jonathan VanDyke is an artist based in New York City.

Portrait of the Artist as a Room by Lynne Sachs
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On Studio: Remembering Chris Marker

Portfolio by Paul Mpagi Sepuya
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Figures / Grounds / Studies

Stanley Whitney by Alteronce Gumby
186885637 04202015 Stanley Whitney 00 Bomb Oralhistory

“My work was just like art history; it was all Velázquez, Goya, Cézanne, and Soutine. But when I saw Morris Louis I saw a way into the present.”

Los Angeles Studio Visits #2: Hailey Loman & Jakob Brugge by Molly Surno
Map By Kristen Montero

A series of conversations about location, process, and practice.

Portfolio by Andy Graydon
Assaf Evron by Abigail Winograd
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Art history via conversations

Paper Clip #74 by Jonah Max
Ben Vida

Paper Clip is a weekly compilation of online articles, artifacts and other—old, new, and sometimes BOMB-related.

Juan Uslé by Shirley Kaneda
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“I begin listening and recognizing silence, meditating until I hear the blood circulating, and then start following the beats, making marks, one by one, line by line, emptying myself until the entire surface of the canvas is covered.”

Los Angeles Studio Visits #1: John Burtle & Guan Rong by Molly Surno
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A series of conversations about location, process, and practice.

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