Studio Practice

Painting on metallic surfaces.

Photographic explorations of color.

Against inertia.

Sewing through photographs.

The human element of architecture.

Shifting between the virtual and the real.

Intuiting rather than calculating.

Painting digital.

Making and unmaking idols.

Art in life; life in art.

Intimate portraits of performers. 

Less is much more. 

Painting as disappearance.

Photography at the intersection of the historical and the prosaic.

A painter opens his studio.

On storytelling, seriality, and a shared love of clichés.

Painting pollution.

Paint as performance.

“I didn’t want to paint figuratively. I didn’t want something that was overtly referencing the social issues around me, but I wanted to find a way to describe them. How do you internalize this? How do you make a form that forces a painting to be an experience that is not necessarily easy to see, handle, or look at?”

A studio inside a museum.