Studio Practice
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Shifting between the virtual and the real.
Photography at the intersection of the historical and the prosaic.
On storytelling, seriality, and a shared love of clichés.
“I didn’t want to paint figuratively. I didn’t want something that was overtly referencing the social issues around me, but I wanted to find a way to describe them. How do you internalize this? How do you make a form that forces a painting to be an experience that is not necessarily easy to see, handle, or look at?”
A studio inside a museum.
“Everything is equally treated.”
Two artists find a mutual fascination with both the aesthetic qualities of repetition and the mechanical means of reproduction.
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