Soundtracks

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The Endorithm 4 by Keith Connolly
Connolly Bomb 2

A selection of recent and reissued music by Elysia Crampton, Brother Ah, Anom Vitruv, C-Schulz, and Frans Zwartjes

Amit Dutta by Shambhavi Kaul
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The filmmaker tracks the development of his research-based cinema from evocations of childhood memory to adaptations of Indian paintings and literature.

The Endorithm by Keith Connolly
Don Cherry

A selection of recent and reissued music by Don Cherry, Pierre Henry, Dominique Lawalree, and Phew

Thomas White by Nicholas Elliott

“If someone hands over their repertory theater group to you, what are you going to do with them?”

Wim Wenders by Hillary Weston
Wim Wenders 1

An iconic filmmaker’s remarks on his most memorable soundtracks.

Palmbomen by Gary Canino
Palmbomen 01

Musician Kai Hugo on conspiracy theorists, cassette tapes, and video confabulations.

Damon & Naomi by Tobias Carroll
Damon Naomi 1

Silent film, Oulipian lyrics, and keeping it all together.

Peter Burr, Luke Fischbeck, & Seabat by John Also Bennett
Peter Burr 1

Tarkovsky, aural illusions, and cultivating transcendent spaces.

Deborah Stratman by Pamela Cohn
Deborah Stratman 1 Bomb

Sound, image, espionage, and methods of control.

Béla Tarr, Fred Kelemen, & Mihály Víg by Michael Guarneri
Béla Tarr 01

Filmmaking as a collective project.

Laida Lertxundi by Katie Bradshaw
Laida Lertxundi 01

Setting soundtracks to the desert, the sea, and the sky.

Mary Lattimore & Jeff Zeigler by Daniel Bachman
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Snowbound recording with harp and melodica and the fine art of titling songs.

Joaquim Pinto by Paul Dallas
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Portuguese cinema, dealing with illness, and “the tissue connecting the cosmic and the corporeal.”

Godfrey Reggio by Alex Zafiris
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Godfrey Reggio on his new film Visitors, a piece of poetic, experiential cinema, with an original score by Philip Glass.

Six Organs of Admittance by Richard Bishop
Chasny Body

“We wanted to do something that was the opposite of what people would expect.”

Tom Hagerman Rocks by Ryan Spencer
Tom Hagerman 1

Ryan Spencer sits down with DeVotchKa’s Tom Hagerman to reminisce about celebrity haircuts and toy pianos.

Scoring Warhol’s Screen Tests by Dean Wareham
Lou Reed Warhol

Dean Wareham, of the revered Galaxie 500, Luna, and now Dean & Britta, on curating and scoring 13 Most Beautiful People, a new DVD of Warhol Screen Tests.

Harmony Korine by Richard Bishop
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“I want the movie to be a living thing. I like the mistakes. I encourage the actors to go off and improvise and improve upon their characters. I like it when it’s a bit chaotic.”

Béla Tarr by Fionn Meade
Tarr01 Body

“This eternity stuff is definitely very important for me. The days are passing, time is running; we will die, everybody has just one life. That’s why it’s very important how this life is going. The quality of this life. We are not in the church, where people are told lies.”

Crime in Choir’s Trumpery Métier by Andrew Leland
Trumpery Metier

Crime in Choir’s third album, Trumpery Métier—an English/French combo-phrase meaning something like “pointless trade”—is a triumphant, prog-soaked instrumental rock album by five highly stoned and proficient musicians from San Francisco.

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