Sound Art
The electronic musician talks chess, information, and creating “sound music.”
The artist talks about sound art and the historical record.
The artist on voice, intimacy, and the physicality of sound.
Featuring selections by Matthew Jeffrey Abrams, Emmanuel Iduma, Kaitlyn A. Kramer, Ashley Stull Meyers, and more.
The founder of gelbe MUSIK, the renowned record store and gallery space, speaks about its history.
Ancient music to accompany a sci-fi novel.
Blending objects with performance.
Remembering Mike Kelley.
An exhibition exploring forms of repetition and difference.
“How do you draw information out if you aren’t involved and in love with it.”
“Moving bodies generate this system. They create, supposedly, some justification to play this market out.”
“We were relegated to Chick Lit, romance novels, our subjects were love and motherhood and other sexually-defined things. Modern Love mocks that, to some degree. It pushes back.”
The Ness is a remote and isolated place, an uninhabited no-man’s-land, for decades occupied solely by the military for practicing the dark arts of war.
On the 50th anniversary of 9 Evenings: Theatre and Engineering, an intergenerational concert series celebrates the technological innovations of the 1960s New York avant-garde. Times have changed.
The artist and composer stages her latest entanglement of bodies, spaces, and sounds at the Biennale de Montréal this October.
“I think that creative improvisation music models the democratic principle. Heads of state and legislative bodies could learn a lot from this practice.”
Projection as performance, Godspeed You! Black Emperor, and depicting electromagnetic radiation.
Radical intimacy, technological estrangement, and hyphen as psychic portal.
Smacking noises, violins, and skewed pop experiments.
