Sound Art

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Sculpting the Uncanny: Julianne Swartz Interviewed by Mathilde Walker-Billaud
Swartz1

The artist on voice, intimacy, and the physicality of sound.

Looking Back: BOMB Contributors on Art in 2018
Samantha Wall

Featuring selections by Matthew Jeffrey Abrams, Emmanuel Iduma, Kaitlyn A. Kramer, Ashley Stull Meyers, and more.

Ursula Le Guin and Todd Barton: Music and Poetry of the Kesh by Matthew Erickson
Le Guin1

Ancient music to accompany a sci-fi novel.

Sculpture and Sound: Naama Tsabar Interviewed by Naomi Lev
Naama Tsabar1

Blending objects with performance.

The Art of Noise: Jim Shaw Interviewed by Osman Can Yerebakan
Shaw1

Remembering Mike Kelley.

Word Prompts: Matt Keegan’s Replicate by Claire Barliant
Keegan11

An exhibition exploring forms of repetition and difference.

DeForrest Brown Jr. & Bill Kouligas
Brown And Kouligas Bomb 3

“How do you draw information out if you aren’t involved and in love with it.”

Postcommodity by Rob Goyanes
Postcommodity Bomb 5

“Moving bodies generate this system. They create, supposedly, some justification to play this market out.”

Constance DeJong by Jennifer Krasinski
Constance Dejong Bomb 2

“We were relegated to Chick Lit, romance novels, our subjects were love and motherhood and other sexually-defined things. Modern Love mocks that, to some degree. It pushes back.”

Field Recording by Chris Watson

The Ness is a remote and isolated place, an uninhabited no-man’s-land, for decades occupied solely by the military for practicing the dark arts of war.

All Is but Circuitry by Steve Dalachinsky

On the 50th anniversary of 9 Evenings: Theatre and Engineering, an intergenerational concert series celebrates the technological innovations of the 1960s New York avant-garde. Times have changed.

Marina Rosenfeld by Tristan Shepherd
Marina Rosenfeld 01 Bomb 137

The artist and composer stages her latest entanglement of bodies, spaces, and sounds at the Biennale de Montréal this October.

Wadada Leo Smith by John Corbett
147833367 06092016 Wadada Leo Smith Bomb 4

“I think that creative improvisation music models the democratic principle. Heads of state and legislative bodies could learn a lot from this practice.”

Dara Birnbaum & Matt Saunders by Chris Chang
Dara Birnbaum Bomb 2

Trauma and media manipulation at work.

Karl Lemieux by Julian Ross
Karl Lemieux 01

Projection as performance, Godspeed You! Black Emperor, and depicting electromagnetic radiation.

Masha Tupitsyn by Charity Coleman
Masha Tupitsyn 1

Radical intimacy, technological estrangement, and hyphen as psychic portal.

C. Spencer Yeh by Michael Barron
C Spencer Yeh 1

Smacking noises, violins, and skewed pop experiments.

Lukas Marxt by Julian Ross
Marxt 1

Landscape, video, and the Anthropocene.

Jules Gimbrone by Suzy Halajian
Jules Gimbrone 1

On getting it.

Gary Simmons by Jodie Bass
Gary Simmons 01

Building a mutable sound system with found materials.

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