Eduardo Williams’s debut feature takes us around the world on an ethnographic tour of labor, leisure, and logins.
An architect talks about her data maps of urban conflict from Brooklyn to Aleppo.
Humor, commerce, and family play big roles in Ethridge’s conceptual photography.
Odyssey Works has an audience of one—and a book for the rest of us.
“They own their own image. In a world where image is everything, that’s a very serious kind of ownership.”
“I don’t think being a cynical, academically oriented deconstructor should stop one from being a wild and crazy performer.”
Chaotic performances, live recordings, and Generation Tween.
“Yes, I believe in life online, the way a person in 1910 might believe in aviation, or a person in 1455 might believe in movable type: with excitement and apprehension.”
The obsession with documentation and online sharing might have caused K8 Hardy to press pause on performing, at least for now. Hardy discusses, with poet Raines, the runway show she’s producing for the Whitney Biennial.