Shahzia Sikander

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Entwining Histories and Futures: Shahzia Sikander and Du Yun Interviewed by Allie Tepper
A man sits on a bench in a darkened gallery space in front of a colorfully abstract video titled, installation view of Parallax, 2013, in Shahzia Sikander: Weeping Willows, Liquid Tongues at Sean Kelly

The artist and composer discuss their collaborative process.

Entwining Histories and Futures: Shahzia Sikander and Du Yun Interviewed by Allie Tepper
A man sits on a bench in a darkened gallery space in front of a colorfully abstract video titled, installation view of Parallax, 2013, in Shahzia Sikander: Weeping Willows, Liquid Tongues at Sean Kelly

The artist and composer discuss their collaborative process.

Shahzia Sikander by David Hunt
Article 2403  Bomb 76 Siskander1

Sure, the painter Shahzia Sikander, born and raised in Pakistan, manages to flip the script on the whole history of Indian miniatures, but to position her as an artist throwing off the oppressive yoke of male patriarchy, Islamic censorship, or the pervasive Western fantasy of South Asian culture as simply some kind of prohibitive version of Footloose does a disservice to her work.

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