Serial Art

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Constance DeJong by Jennifer Krasinski
Constance Dejong Bomb 2

“We were relegated to Chick Lit, romance novels, our subjects were love and motherhood and other sexually-defined things. Modern Love mocks that, to some degree. It pushes back.”

David Diao by Matthew Deleget
Diao David 1

Diao’s first comprehensive retrospective, at the Ullens Center for Contemporary Art—fittingly, in the painter’s native China—is the occasion for a conversation that looks back at fifty years of artistic production.

Cristina de Middel by Pradeep Dalal
Middel 01

With official-seeming letters folded next to staged photographs, the project moves fluently between the evidentiary and the fanciful.

R. H. Quaytman by Antonio Sergio Bessa
O Tópico, Chapter 27 01

On painting, architecture, and working in “chapters.”

Portfolio by Paola Ferrario

For the past five years I have been engaged in a quixotic process cataloguing the artifacts of a material world in decline.

Erica Baum by Kim Rosenfield
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To encounter Erica Baum’s “Naked Eye Anthology” series is to reach something akin to a Jacques Guerlain L’Heure Bleu threshold state.

BOMB Specific by Daniel Bozhkov
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Zoe Leonard: You see I am here after all by Marc Joseph Berg
Zoe Leonard 01

Zoe Leonard: You see I am here after all (2008) documents the artist’s two-and-a-half year Dia installation while expanding upon the art of mechanical reproduction.

Patricia Esquivias by Manuela Moscoso
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By engaging in storytelling, Patricia Esquivias utilizes narrations to re-signify situations and events filtered through her own individual and particular viewpoints.

Legal Deposit by Fiona Banner
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A few years ago I began producing one-off publications that I registered officially with the International Standard Book Number agency. After a while I started to receive letters from the Legal Deposit department at the British Library asking me why I had not sent copies of my books, as required by law.

Legal Deposit by Fiona Banner
112 Banner 01 Body

A few years ago I began producing one-off publications that I registered officially with the International Standard Book Number agency. After a while I started to receive letters from the Legal Deposit department at the British Library asking me why I had not sent copies of my books, as required by law.

BOMB Specific by R. H. Quaytman & Geoff Kaplan
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Since 2001, I have structured my work as if it were a book of paintings with evolving chapters: the story unfolds via the exhibition situations, the past work, the paintings themselves, and the viewer’s place before them.

Roxy Paine by Tod Williams & Billie Tsien

As architects we work for many different clients on a wide variety of projects, from private residences to laboratories, swimming pools, libraries, and museums.

Joseph Bartscherer by James Welling
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“I try to make my pictures read as plausible stares.”

Cameron Martin by Dike Blair
Cameron Martin 01

The three paintings pictured here are from a series Cameron Martin titles Black Sun

Josh Müller by Lucy Raven
​Josh Müller 01

Artist Josh Müller uses a variety of methods to draw into question how audiences interpret film, from resetting and rephotographing travel magazine models to taping a rescreening of a popular television series.

Untitled Drawing by Allan McCollum
Allan Mccollum Bomb 32

Artwork by Allan McCollum, 1988–90, pencil, 14 × 9½ inches. 

From Slides of a Changing Painting by Robert Gober
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