Sculpture

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The Continuity of Substances: Jonathan Silver Interviewed (Part 3) by Michael Brenson
3 Jonathan Silver1

The sculptor discusses his work and its influences.

The Continuity of Substances: Jonathan Silver Interviewed (Part 2) by Michael Brenson
2 Jonathan Silver1

The sculptor discusses his work and its influences. 

The Continuity of Substances: Jonathan Silver Interviewed (Part 1) by Michael Brenson
1 Jonathan Silver1

The sculptor discusses his work and its influences.

Sculpting the Uncanny: Julianne Swartz Interviewed by Mathilde Walker-Billaud
Swartz1

The artist on voice, intimacy, and the physicality of sound.

Ree Morton: The Plant That Heals May Also Poison by Olivia Gauthier
Ree Morton1

Rediscovering a “maverick” female artist from the ’70s

Studio Visit: Sydney Shen by Danni Shen
Sydney Shen1

An artist’s index of the strange.

Rona Pondick Works: 2013–2018 by Jessica Holmes
Rona Pondick1

Sculptures that depict the body’s predicament. 

Studio Visit: Daniel Turner by Jeffrey Grunthaner
Daniel Turner1

Less is much more. 

Surface Information: Lucy Kim Interviewed by Leeza Meksin
Lucy Kim1

Reimagining the human body.

One Piece: Intrepida by Maria Guzmán Capron
Maria Guzman Capron Intrepida

A feral, hyper-human female figure.

One Piece: America by Hugh Hayden
Hugh Hayden Final

The artist talks about an uninhabitable American Dream.

Unstable Solids: Diana Al-Hadid’s Delirious Matter by Rebecca Rose Cuomo
Diana Al Hadid1

Dialectics of mass and void.

Metaphors of Migration: Yinka Shonibare Interviewed  by Osman Can Yerebakan
Shonibare1

A public sculpture tries to grasp the wind.

Celebration and Critique: Diamond Stingily Interviewed by Lori DeGolyer
Diamond Stingily1

Sculpture and installation that make memory present. 

Masks That Conceal and Reveal: Maxwell Deter Interviewed by Naomi Falk
Deter1

An artist’s collaboration with musicians.

Art, Politics, and Education: Adeela Suleman Interviewed by Rabia Ashfaque
Suleman1

The changing art landscape of Pakistan.

Simultaneities: Beatriz Cortez Interviewed by Rafa Esparza
Beatriz Cortez1

Sculpture inside and outside the institution.

Otobong Nkanga’s To Dig a Hole That Collapses Again by Jason Foumberg
To Dig a Hole That Collapses Again

Through layered symbolism—such as sticks and roots threading and pricking interconnecting bodies and mounds of earth—the Kano, Nigeria–born, Paris-trained, Antwerp-residing artist Otobong Nkanga works through the trauma of decolonization by probing links between Europe’s economic growth and the exploitation of African lands.

Liking Difficulty: Nancy Shaver Interviewed by Ann Lauterbach
Nancy Shaver1

Found objects and fabrics.

Privacy and Visibility: Heather Dewey-Hagborg Interviewed by Amelia Rina
Dewey Hagborg1

Building a possible portrait of Chelsea Manning from DNA.

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