Sculpture

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Simultaneities: Beatriz Cortez Interviewed by Rafa Esparza
Beatriz Cortez1

Sculpture inside and outside the institution.

Otobong Nkanga’s To Dig a Hole That Collapses Again by Jason Foumberg
To Dig a Hole That Collapses Again

Through layered symbolism—such as sticks and roots threading and pricking interconnecting bodies and mounds of earth—the Kano, Nigeria–born, Paris-trained, Antwerp-residing artist Otobong Nkanga works through the trauma of decolonization by probing links between Europe’s economic growth and the exploitation of African lands.

Liking Difficulty: Nancy Shaver Interviewed by Ann Lauterbach
Nancy Shaver1

Found objects and fabrics.

Privacy and Visibility: Heather Dewey-Hagborg Interviewed by Amelia Rina
Dewey Hagborg1

Building a possible portrait of Chelsea Manning from DNA.

Sculpture and Sound: Naama Tsabar Interviewed by Naomi Lev
Naama Tsabar1

Blending objects with performance.

Life Like: Sculpture, Color, and the Body by Cynthia Eardley
Life Like1

A historical survey of figurative sculpture.

Black Passages: Curtis Talwst Santiago Interviewed by Ayasha Guerin
Santiago4

Layering histories and identity.

Keeping the Past Present: Shadowed! by Anne K. Yoder
Rothenberg Shadowed

An exhibition catalogue for Ellen Rothenberg’s elsetime.

Controlled Chaos: Howardena Pindell Interviewed by Jessica Lanay
Pindell Interview1

“All the pieces … are an attempt to unite my mind again, to mend the rupture.”—Howardena Pindell

Introductions by Kate Zambreno
Ingrid1

A collaboration between B. Ingrid Olson and Kate Zambreno.

A Series of Substitutions: On Darren Bader by Allison Grimaldi-Donahue
Bader Image

A unique art catalogue mixes text with text.

Object Possibilities: Stories of Almost Everyone by Michael Valinsky
Stories Of Almost Everyone1

The Thingliness of Things at the Hammer Museum.

Regeneration of the Real: Jane Benson Interviewed by Danni Shen
Benson1 Final

Challenging the nature of things.

There Is Life and Death in the Power of the Tongue: Vanessa German Interviewed by Jessica Lanay
German1

“I gave myself this education on my own eye and on my own instincts. I was trying to find a place of resonance.”

One Piece: NYC Fluorescent by Jordan Seiler
Jordan Seller

The artist talks about dismantling street advertisements and their infrastructure.

The Idea of the Beginning Is Not Really at the End: Loup Sarion Interviewed by Madeleine Braun
Sarion1

fiction + volume = sculpture

Portfolio by Alan Ruiz
Ruiz2

What does form perform?

FOLD: Golden Venture Paper Sculptures by Chantal McStay
Fold1

From a tragic shipwreck to an epic, collective political art project.

Toxic Masculinity and Rainbows: Judy Chicago Interviewed by Olivia Gauthier
Chicago1

“Subversion is very basic to my work.”

One Piece: Clearly Confused by Natalie Baxter
Natalie Baxter Clearly Confused

The artist talks about the genesis, composition, and execution of a recently completed work.

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