Science

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William Basinski by Lea Bertucci
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Coaxing elegies from tape loops, the composer propels us from the San Fernando Valley to deep space, then into “the long-form beyond.”

Finding a Common Language: Jenny Brockmann Interviewed by Danni Shen
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An entanglement with various modes of knowledge production.

Domesticating Waves in the Netherlands by Stefan Helmreich
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Two years back, in the midst of anthropological research about the science and culture of wave monitoring and modeling in the Netherlands, I joined in an event called Waterwolf 2016, a flood preparedness exercise staged in the small municipality of Marken, just twenty kilometers outside Amsterdam. I

Three Poems by Cynthia Arrieu-King
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The fish survive all that radiation, whatever is a go-pass beyond poison. / Snow falling off at a slant from the scientific station / ice adaptations that lead to the new normal. / An owner’s manual under a concrete donut, in its hole someone has planted a baby cactus.

Privacy and Visibility: Heather Dewey-Hagborg Interviewed by Amelia Rina
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Building a possible portrait of Chelsea Manning from DNA.

Weird Science: Built For Collapse’s DANGER SIGNALS by Amber Power
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The gendered history of lobotomy.

Productive Creativity: On Janina Wellmann’s The Form of Becoming: Embryology and the Epistemology of Rhythm, 1760–1830 by Catherine Despont
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Exploring the lost connection between aesthetics and science.

Fred Eversley’s Black, White, Grey by Claire Barliant
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Cosmic Objects

Bryan Hunt by Jack Stephens
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A lifelong fascination with natural forms and outer space is at the heart of Hunt’s sculptures and paintings.

Amitav Ghosh and Curt Stager
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If novelists could tell the story of climate change, they might spark the action scientists are calling for in order to save the planet.

Finnbogi Petursson’s Second/Second by Scott Turri
​Finnboggi Petursson, Infra-Supra

On his second stop at Wood Street Galleries, Icelandic artist Finnbogi Petursson returns with Second/Second, his first solo US exhibition, featuring two large installations involving sound, light, and water.

Paper Clip #75

Paper Clip is a weekly compilation of online articles, artifacts and other—old, new, and sometimes BOMB-related.

Daniel Dencik & Michael Haslund by Anya Jaremko-Greenwold
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Melting glaciers, Metallica, and the Arctic.

Caryl Pagel by Jack Christian
Pagel Ectoplasmic

Caryl Pagel on the visionary poetics of “writing the trance.”

Scientific Method: Berenice Abbott at MIT by Geoffrey Hilsabeck
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Photographer Berenice Abbott brought motion into the still frame, and brings the visuality of movement to a new show at MIT.

The Wick by Myla Goldberg & Jason Little
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Invisible Love proposes parallels between the work of Marie Curie and Marcel Duchamp as evidence of their potential unrequited love …

Luminarium by Jonathan Aprea
Alex Shakar

Jonathan Aprea speaks with author Alex Shakar about science, spirituality, and virtual reality in his forthcoming novel Luminarium.

John O’Connor by Bruce Pearson
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I was hooked on the pop-psychedelic appearance of John O’Connor’s drawings, all of which are generated by an array of different systems that are mind-boggling in their eccentricity and range. 

BOMB Specific by David Clarkson
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From Earth, Mars is a planet of photographs. Artists will find art in these images, and scientists science—certain truths will be revealed to each. It is a place that can only be explored by viewing oddly unfolding pictures—whether NASA’s, Hollywood’s, or those unexpectedly encountered in BOMB.

Péter Nádas by Davis Kovacs
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A scholar not only of literature, but of culture, horticulture, and above all the human body and its communications, Nádas presents a picture of temperament and elegance in the great tradition of the European intellectual.

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