After seeing my first Michael Haneke film, I left the theater sick to my stomach. Perhaps this is not the most obvious compliment to pay a director, but there is a visceral effect to Haneke’s work that I would be remiss in not sharing.
Law Professor Kendall Thomas talks to the director about Hallelujah!, her latest documentary on the controversial performance artist Ron Athey. Thomas and Gund-Saalfield hash out the questions of religion, pain, and pleasure his performances provoke.
Stand and look up.