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Traveling the Interior: Sergio Chejfec by P. T. Smith
Sergio Chejfec

In his most recently translated novel, Sergio Chejfec continues to craft a style and world all his own.

Traveling the Interior: Sergio Chejfec by P. T. Smith
Sergio Chejfec

In his most recently translated novel, Sergio Chejfec continues to craft a style and world all his own.

Where the Ghost Gets In by Rachel Cole Dalamangas
Ghost In Car Body

Elizabeth Robinson crosses genre to reveal what it means to be haunted.

Let the Record Show by Lara Mimosa Montes
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Lara Mimosa Montes looks back to another era and reappraises her own with Koestenbaum’s My 1980s and Other Essays.

A Review of Paul McCarthy’s Snow White Sex Orgy In Midtown by Forrest Muelrath
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Titillating and nausea-producing? Certainly. Transgressive? Maybe. Forrest Muelrath reviews Paul McCarthy: WS at the Park Avenue Armory.

Dear John, Dear Paul by Wendy Lotterman
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A reader’s correspondence with Paul Auster and J. M. Coetzee’s Here and Now: Letters (2008–2011).

Wanting To Write Your Body Again by Craig-Paul Moreau
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David Groff and Angelo Nikolopoulos’s divergent work centers on the poetics and politics of the gay body.

Journeys To Recover Your Future by Katie Peyton
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Katie Peyton on the satisfying artifacts of truth in Kristopher Jansma’s The Unchangeable Spots of Leopards

Good Things by Eric Dean Wilson
​Chris Doyle

Eric Dean Wilson on the rushing river of language in Dara Wier’s You Good Thing.

Blaze Thir Parts In Englyssche by Andrea Quaid
Jill Slaymaker

Andrea Quaid on love poetry’s lineage in Julian Talamantez Brolaski’s Advice for Lovers

Matt Wolf’s Teenage by Colin Beckett
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Wolf’s film Teenage truncates the nuance and diversity of the source material, but offers flashes of individual introspection on a few historical figures.

Pretty Brutal Speech by Nick Thurston

Nick Thurston on how Kim Rosenfield’s Lividity and Steven Zultanski’s Agony both convert the long form poem into an act of hyper-objectification, and how both do so to brutally contemporary effect.

The Way of the Artist by Sarah Gerard
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It is surprising that Sam Savage would write a book about a character who has never had a profession—before writing, he worked as a bicycle mechanic, carpenter, crab fisherman, and letterpress printer.

Dilly-Dally: Keith Sonnier’s Sculptures by Carlos Brillembourg
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Architect Carlos Brillembourg’s poetic meditation on Keith Sonnier’s sculptures at Mary Boone Gallery

In The Deep Bosom Of The Ocean Buried by Sarah-Jane Stratford

Sarah-Jane Stratford on the layered, complex history of Richard III.

Life After Death by Andrew Savino
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Andrew Savino on seeming versus being in Scott Hutchins’s novel, A Working Theory of Love.*

The Landscape of Memory by Sarah Gerard
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Sarah Gerard on life’s closing and Gerald Murnane’s fifth novel, Inland.

You Should Be Ashamed Of Yourselves by Maxi Kim
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Maxi Kim on Jarett Kobek’s third book, If You Won’t Read, Then Why Should I Write?, a sobering diagnosis of the collective state of the American mind.

Whitney 2.0 by John Reed

John Reed keeps it real and critical with this year’s much-anticipated 2012 Whitney Biennial.

Shifting Connections: Spring Shorts by Kathleen MacQueen
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In her latest Shifting Connections, Kathleen MacQueen reflects on her favorite shows of the Spring of 2012.

Damaged Goods: Generation Gap by Craig Hubert
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In this week’s Damaged Goods, Craig Hubert explores directors Eric Rohmer and Jean Eustache, two archetypal members of the French New Wave.

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