This fall, Max Galyon, at my invitation, mounted an exhibition of his paintings and sculptures in my studio in Sunset Park, Brooklyn. The show was intended to create a setting for spontaneous conversations between artists outside of any commercial context, and was open to the public on certain days.
The dancer on repetition, transformation, and abstracting everyday movement.
Stan Allen’s seminal essay, “Field Conditions,” written almost 15 years ago, still resonates among architects. He confers with Nader Tehrani on landscape urbanism as well as building and teaching “from a position of uncertainty.”
Zoe Leonard: You see I am here after all (2008) documents the artist’s two-and-a-half year Dia installation while expanding upon the art of mechanical reproduction.
hello. i am writing to inform you of what i am currently doing.
BOMB visits the studio of visual artist Shoshanna Dentz, to talk about Beckett, content, and the human relationship to fences.
“History always starts twice.” Bernard Piffaretti
Siena successfully turns his images into what they are not, coaxing their “other” from them. Seemingly without conscious intention, he transfixes the viewer like a magician, making the nonexistent become existent, in the most indirect way.