Ready-Mades

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Object Possibilities: Stories of Almost Everyone by Michael Valinsky
Stories Of Almost Everyone1

The Thingliness of Things at the Hammer Museum.

Portfolio by David Horvitz
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A collection of new, old, and ongoing works.

Claire Fontaine by Anthony Huberman
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Claire Fontaine lives in Paris. Her “assistants” are Fulvia Carnevale and James Thornhill, an Italian-British artist duo.

Christian Marclay by Ben Neill

For over 20 years Christian Marclay has been creating works that explore the intersection of the aural and the visual, reflecting on the nature of how sound and image are related.

Pepón Osorio by Jennifer Gonzalez
Osorio 4 Body

Most urban dwellers live within their own limit politics—a linked network of socially and economically circumscribed spaces. 

Michael Phelan by David Hunt
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Al Souza by Suzan Sherman
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When a jigsaw puzzle is first spilled from its box there is the chaos of hundreds, sometimes even thousands of individual parts—some so tiny they reveal themselves only as a dollop of color, a ripple of cloth or the tooth of a smile—which, after much effort, the trials and errors of fitting and not fitting, are made into a whole.

José Antonio Hernandez-Diez by Carlos Brillembourg
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José Antonio Hernandez-Diez poses an inversion of the ordinary, an inversion that makes the viewer complicit in the humor that constructs his artwork.

Cildo Meireles by Dan Cameron
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Cildo Meireles’s work offers an intensive multisensorial experience that challenges our most fundamental notions of what art can be. 

Ebb by Amy Jenkins
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Peter Boynton by Saul Ostrow
Boynton 1 Body

The triumphant return of Duchamp’s “readymade” in the 1960s and its acceptance as a form of art making in the 1980s, is thought of as marking the final phase in the conceptualization of art

Mike Bidlo by Anney Bonney
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Michael Bidlo shares his relation to the “masters” as a copyist of the Modernist canon and at times looses himself in the process, not sure even of his own voice or thoughts at times.

Robert Gober by Craig Gholson
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“The Church was a very sick place. The Church that I knew was an extremely hypocritical institution. That might be where I got my initial inspiration of perversity, growing up within the Catholic Church.”

Star Trek, Neo-Geo: The Next Generation by Steve DiBenedetto

Portfolio curated by Olivier Mosset.

Two Sculptures by Jeff Koons
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Two ’80s works by Jeff Koons: New Hoover Convertibles, Shelton Wet/Dry Doubledeckerand Two Ball Total Equilibrium Tank.

Two Sculptures by Bill Woodrow
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Two sculptures of altered ready-mades like a chair and a locker, Harvest and Closet by Bill Woodrow.

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