Queer Theory

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Intimate Variations: Other Romances at Rachel Uffner Gallery by Katherine Brewer Ball
Romances1 New

Extending the possibilities of relation.

Recalibrating Sense: Cassils at Ronald Feldman Fine Arts by Tess Altman
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The body as social sculpture.

Gender Trouble in Queer Paradise by Tavia Nyong'o
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Future St. is set in an America in which homosexuality has triumphed over heterosexuality, cloning has replaced sexual reproduction, and California has seceded from the mainland United States to form the gay male state of “Clonifornia.”

Becca Blackwell by Jim Fletcher
Becca Blackwell Bomb 01

The actors chat about performing masculinity, transitioning, and Blackwell’s one-person show They, Themself and Schmerm.

Carlos Motta by Cat Tyc
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“Queer lives are conditioned by violence.”

Tom Burr by Alan Ruiz
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“Some people are happy calling me an artist, others a Conceptual or post-Conceptual artist, others say sculptor, and others use a string of modifiers. Someone suggested once that I was simply performing these categories, which I like.”

M. Lamar by Risa Puleo
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“I am an artist. I am a NEGROGOTHIC, devil-worshipping, free black man in the blues tradition. Those are the things I am now.”

Maggie Nelson by A.L. Steiner
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“What expression isn’t a negotiation of some sort?”

Felix Bernstein & Cecilia Corrigan
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“I don’t think being a cynical, academically oriented deconstructor should stop one from being a wild and crazy performer.”

Beau Rice by Aiden Arata
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Text messaging, parasexual literature, and psychiatry in drag.

CAConrad’s Ecodeviance: Soma(tics) for the Future Wilderness by Charity Coleman
Caconrad Ecodeviance

In ECODEVIANCE, a ritualistic poetry book-cum-grimoire and guide to various livings and dyings, CAConrad’s mic is comprised of “the bones of the earth”: crystals. Voices whisper, ring, and shout through(out) this book.

Brennan Gerard & Ryan Kelly by Jenn Joy
Ulrike Müller’s Herstory Inventory: 100 Feminist Drawings by 100 Artists by Thom Donovan
Eds Herstory

There are numerous pleasures in encountering Herstory Inventory, a project initiated and organized by the artist Ulrike Müller, not least of which include a collection of 100 drawings by artists whom I love and admire.

The Climax: Rebecca Patek and Miguel Gutierrez at American Realness by Emily Hoffman
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Emily Hoffman reviews works from performance artists Rebecca Patek and Miguel Gutierrez at the 2014 American Realness festival

Jillian Peña by Lauren Bakst
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Jillian Peña on the fantasy of ballet, queer temporality, and doubling in her new performance Polly Pocket.

A.K. Burns by Legacy Russell
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A.K. Burns on the queer body, slipping between forms, American fetishes, and becoming a cyborg.

My Barbarian by Andrea Fraser
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Brecht’s estrangement, Artaud’s ritual theatre, Boal’s Theatre of the Oppressed, and camp inform My Barbarian’s performance work: an investigation of what constitutes transformative cultural practice.

Mariana Valencia by Effie Bowen
Mariana Valencia 1

Mariana Valencia on her sculptural arrangements of bodies and objects, teenagers in parking lots, and Bushwick sunsets.

CAConrad’s Deviant Propulsion by Kendall Grady
Deviant Propulsion

CAConrad’s first book is a voracious projectile, cutting desire and dissidence into bite-size servings: eat me.

Mary Jordan by Nayland Blake
Jordan01 Body

“The more I learned about him the more addicted I became, the more I wanted to meet absolutely anybody who had met him.”

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