Punk

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Structure Without a Center: Jennie C. Jones Interviewed by Jared Quinton
Jennie C  Jones Fractured Crescendo Rest1

Minimalist painting with a maximalist impulse.

Structure Without a Center: Jennie C. Jones Interviewed by Jared Quinton
Jennie C  Jones Fractured Crescendo Rest1

Minimalist painting with a maximalist impulse.

Anonymous Critic: Robert Sietsema Interviewed by Michael Blair
Restaurant Critics, Key Group Worldwide

The post-punk-turned-food-critic on New York City’s varied cuisine.

Visceral Improvisation: Poncili Creación Interviewed by Ruby Brunton
Poncili1

The Puerto Rican punk-DIY performance collective on challenging institutional norms for making theater.

Becoming Peter Ivers by Clinton Krute
Rervng09 Digital Cover 1500Px

The life of mutant-pop songwriter Peter Ivers was really something.

Their Own Pantheon: Sean Bonney Interviewed by Jeffrey Grunthaner
Sean Bonney7

The late poet on his artistic influences, leftist politics, and reading to anarcho-punks.

Amplified Objects: id m theft able Interviewed by C. Spencer Yeh
Id M Theft Able Garso Teatras 2018

The sound artist on musical prejudices, metal t-shirts, and shortwave radios.

Jaque Fragua and Brad Kahlhamer
Bk The Four Hairs 2012 5 1

Two artists drawing from punk, graffiti, and traditional Native American aesthetics, talk about protest art and the notion of the “Post-Smithsonian delinquent.”

On the Chaos of Bodies: David Grubbs and John Sparagana in Conversation
Sparagana 01

The collaborators on riots, punk, Richter, and the new book Now that the audience is assembled.

Parallel Lines: Dany Johnson Interviewed by Richard Boch
Dany Johnson

Club 57: Film, Performance, and Art in the East Village, 1978–1983 at the Museum of Modern Art and The Mudd Club book.

The Endorithm 6 by Keith Connolly
Basil Kirchin 1

A selection of recently reissued music by Basil Kirchin, High Rise, Michael Cosmic, and Phill Musra Group.

The Art of Noise: Jim Shaw Interviewed by Osman Can Yerebakan
Shaw1

Remembering Mike Kelley.

Building Blocks of Noise by Ben Tripp
Flarf 01

Slow-cooked verbiage in Flarf: An Anthology of Flarf

Michael E. Veal and E. Tammy Kim’s Punk Ethnography: Artists and Scholars Listen to Sublime Frequencies by Michael Blair
Veal And Kim Punk Ethnography Bomb 01

The book reopens questions about appropriation, intellectual property, and colonialism that followed Sun City Girls throughout their career, and also situates these questions within an increasingly globalized and digitized twenty-first century.

Stephin Merritt by Franklin Bruno
Stephin Merritt Bomb 01

The prolific New York lyricist digs into songcraft on the occasion of his new autobiographical album, 50 Song Memoir.

Ron Athey by Zackary Drucker
Ron Athey Bomb 02

From the Pentecostal churches of his youth to ’80s underground Goth punk and queer clubs to museums around the world, an iconic performance artist tells his story.

Leo Svirsky by Michael Pisaro
305054542 02152017 Leo Svirsky Bomb 1

“Activism always involves a kind of coalition building, but the kind of community art is capable of building extends further, to the dead and the unborn.”

Portfolio by Penis

We make music from joy and rage. We are flamboyantly nice and really angry.

Vivien Goldman by Michael Patrick MacDonald
Goldman Bomb 2

“Dub was my sound because of postcolonial movements. I grew up in it. I bathed in it. I breathed it. So why shouldn’t it be mine?”

From Silver Caution by Angela Jaeger
Jaeger Angela 01 Bomb 134
Ryan Foerster by Ashley McNelis
Ryan Foerster Bomb 1

“If this is what this material does now, just treat it as a positive thing.“

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