Yep, here I am to tell y’all about YEAH—YEAH being YEAH the magazine, that turpentine “tonic in type for young and old,” mimeographed between 1961 and 1965 by Fugs founder, poet, and anarcho-sociologist of the Lower East Side Tuli Kupferberg.

Early film, nineteenth-century science fiction, and experimental musical languages serve a young artist’s explorations of race and our political present.

The art book has changed. 

Buildings are big, expensive, and they have a tendency to stick around a long time. So what’s an artist who wants to disturb “the repressive architecture of bureaucracy and luxury” to do?

The founders of Mossless on turning their photography blog into a magazine: why self-publishing can be the scary future of art books.

BOMB staff and interns take a field trip to Brazenhead Books for a private evening of drinks, conversation, and a whole lot of book browsing.

Allen on her new book Artists’ Magazines: An Alternative Space for Art.

Like that of the magnified moth on the cover of its third issue, The Ganzfeld‘s wingspan is wider and stranger than its modest self-description as “an annual book of pictures and prose.”