The Invention of Ana novelist on the manipulations of narrative, being submerged by fiction, and the protagonist as STD.
The writer of The Job of the Wasp on horror, human evil, and writing long sentences.
The German philosopher holds forth on love, diagrams, and his particular style of oration. His book Inconsistencies will appear in English this fall from MIT Press.
Often translated as “Family Constellation,” Familienaufstellung is a form of therapy developed in the 1990s by the German psychotherapist Bert Hellinger with roots in existential psychology, Gestalt psychology, and psychodynamic therapy.
Some time in late June, in the middle of the World Cup, a friend asked me an apparently simple question: “If you could psychoanalyze one football player, who would it be?”
The day after the gallery visit, I awoke with a lingering headache, alarmed by the sound of the phone.
On Siegel’s film Provenance and its insertion into the global circuit of art and design objects.
On the intricate emotional architecture of Philippe Garrel’s autobiographical classic, based on his own romance with legendary chanteuse Nico.
If one believed in nominal determinism, one would say that Nadja Bournonville was destined to work on the subject of hysteria.
When asked about the triangles that populate his work, Halsey Rodman mentions, among other inspirations, the light beam of a flashlight in a cartoon—Inspector Clouseau projecting yellow triangles across flat blackness.
“History has shown that universalism is a step away from totalitarianism—a deadly kind of erasure that I find horrifying. The fear of fascism undermines my sensuous relationship to those things. I often wonder, are there any other alternative aesthetics?”
Novelists Siri Hustvedt and Simon Van Booy compare notes on topics ranging from temporal perception to “the soup of unconscious life” from which fictional characters arise.
A collection of essays examining the cultural, social and political manifestations of both literal and metaphorical masquerade.
Jonas’s language gives us a fertile semiological value to reflect upon. It has an organic open-work structure of experimentation that necessitates play along with a system of signs. Its mythology offers a visual image of a new Gestalt.
A psychoanalyst interacts with three people: his wife, Akiko, and two patients: Kat, whom he also calls The Cutter, and David Swancourt. He receives these patients in his new office, Spells.
Poet and essayist Kristin Prevallet talks to artists caraballo-farman about their series The Heirloom Plates, part of the exhibition Iran Inside Out at the Chelsea Art Museum through September 4th.
The first thing of Mary Gaitskill’s I ever read was a short statement she made at the back of The Best American Short Stories, 1993 about her story “The Girl on the Plane,” in which a man tells a woman in the airplane seat next to his that he once participated in a gang rape.
Rebeck is busy this fall: “Poor Behavior,” is now in previews at the Mark Taper Forum in Los Angeles. Her play “Seminar,” starring Alan Rickman and Lily Rabe, opens on Broadway in November.
Producer Omar Amanat speaks with author Nichole Argo on her groundbreaking study, The Human Bombs Project.