Production And Direction

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Kinshasa Sound: An Interview with Félicité’s Alain Gomis by Joseph Pomp
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“A film is always an attempt, nothing more, and that allows for a sort of dialogue.”

David Levine by James N. Kienitz Wilkins
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Body swapping, infinite loops, and ’70s conspiracy thrillers haunt the dynamic performances of a movie-loving artist and the actors he works with.

Dmitry Krymov by John Freedman
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“I asked my students for the image of the essence of tenderness. One girl brought in a small, silver plate with a bunch of grapes neatly laid out on it. When I noticed she had stripped the skin off the grapes, I got goose bumps.”

Yorgos Lanthimos by Peter Strickland
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The Dogtooth filmmaker talks about The Lobster, finding the right tone, and the state of Greek cinema.

Jem Cohen by J.P. Sniadecki
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“In Counting, I was counting almost everything I encountered: street life, light, weather, animals, and some intangibles, political or social or economic currents, and certain seismic changes in my own life.”

Olivier Assayas by Alex Zafiris
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Time, sharing pain, and theater versus cinema.

Lisandro Alonso by Nicholas Elliott
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Where the horse opera meets a fairy tale.

Lawrence Michael Levine by Gary M. Kramer
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The fine art of the romantic-comedy-thriller-mystery.

Deborah Stratman by Pamela Cohn
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Sound, image, espionage, and methods of control.

Pier Paolo Pasolini’s Selected Poetry, Edited and Translated by Stephen Sartarelli by Jonas Mekas
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That summer, that hot Roman summer afternoon, I see you sitting on the curb, waiting for the door to open, & seeing all those movies, yes, that hot Roman summer day.

Cherien Dabis by June Stein
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Dabis wrote her film Amreeka, in theaters now, in response to her family’s Arab-American experience. An immigrant’s tale, the search for a better future in the Promised Land is full of seismic changes.

Jay Scheib by Alix Pearlstein
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“I’m somewhere between Bresson, Godard, and the NBA.”

Matthew Barney and Gaspar Noé
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“My addiction has to do with performance, with creating a very real situation and then dealing with all the physical problems surrounding it.” —Matthew Barney

Godfrey Reggio by Alex Zafiris
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Godfrey Reggio on his new film Visitors, a piece of poetic, experiential cinema, with an original score by Philip Glass.

Paper Clip #25 by Tyler Curtis
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Paper Clip is a weekly compilation of online articles, artifacts and other—old, new, and sometimes BOMB-related.

David Lynch by Michael Saur
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David Lynch discusses painterly filmmaking, the importance of having final cut, and his latest musical project, The Big Dream, released July 16th.

Mariana Valencia by Effie Bowen
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Mariana Valencia on her sculptural arrangements of bodies and objects, teenagers in parking lots, and Bushwick sunsets.

Matías Piñeiro by Clinton Krute
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Matías Piñeiro makes intricate films that play with literature, history and language. His Shakespearean Viola opens on July 12 at the Film Society of Lincoln Center alongside a retrospective of his films.

Rachid Djaïdani by Reeck Laura
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JRachid Djaïdani discusses his new film Rengaine (Hold Back), and the advantages and hazards of guerrilla filmmaking.

Cristian Mungiu by Guy Gallo
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Romanian auteur Mungiu’s Beyond the Hills, which fuses naturalism with the escalating dramatic tension between two young women, won awards for best screenplay and best actress at Cannes.

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