Police

Leigh visited the conceptual artist’s New York studio, where they exchanged ideas about public engagement, generating community, and practicing acts of resistance in the art world.

Painter Lee Quiñones grew up on the Lower East Side and began his career tagging subway cars. His latest paintings are cut from his studio walls.

Sculpture and installation that make memory present. 

In the aftermath of Eric Garner’s murder, a Black protester shouts at a group of cops, “Black officers, Puerto Rican officers, nobody likes you! Nobody. You are hated. You’re hated in New York and throughout the United States. This isn’t ignorance. This is anger, officer!” This scene from Stephen Maing’s character-driven documentary Crime + Punishment is another testimony to the rampant racial inequity in the United States.

Disastrous screenings, Nam June Paik’s meeting with Bill Clinton, and time spent as a dog.

An architect talks about her data maps of urban conflict from Brooklyn to Aleppo.

Black memes, black bodies.

“I draw bad guys for a living.”

“Chiaroscuro levels of thought.”

Great to see you as always. A few questions came to me, typically after all was said and done. I thought I’d send them over while our very interesting conversation was still fresh in my mind.

We follow the dutiful, slouching cop Cristi (Dragos Bucur) through the crumbling, gray streets of Vaslui, Romania as he pursues a teenager suspected of dealing hash.

On June 23, 1962, in Mansfield, Ohio, the brutal murder of two young girls led to the arrest of Jerrell R. Howell, who admitted to the killings after a struggle to force them “to perform oral sodomy.” 

Anyone living in Mexico City knows that policemen not only epitomize official corruption, but are also noted actors and emitters of unsurpassable oxymorons and redundancies. 

Knock Knock.

I. John the Cop.

“I don’t bullshit about what I did. 

“You have to get under the skin of a character so much more profoundly, to write about it as opposed to filming it.”

Photograph of police restraining rowdy onlookers during a prize giving to President Sengh of Senegal in 1969, Frankfurt by Angela Neúke.