Poetics

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Conversation Smudging: Sophie Seita on Translating Uljana Wolf by Zoe Brezsny
Sophie Seita Banner

“The book can draw in different audiences without catering to them. There’s a kind of rigorous hospitality, an aperture for dialogue.”

Sound Over Sense by Marjorie Welish
Clark Coolidge 01

Syntactical adventure and rolling ruminations in Clark Coolidge: Selected Poems 1962–1985

Tókȟaȟ’an: To Lose, to Suffer Loss, to Be Gone by Gillie Collins
Layli Long Soldier 01

Wordplay as dissent in Layli Long Soldier’s Whereas

Projectile Poetry by Zoë Hitzig
Projectile 01

War, worship, and capital in Danniel Schoonebeek’s Trébuchet

How to Suffer Well by Charlotte Lieberman
Max Ritvo 01

On Max Ritvo’s Four Reincarnations

Solmaz Sharif’s Look by Rebekah Weikel
Jenny Holzer 01

How might one delineate “damage” given the wider effects of war on society and its citizenry? Solmaz Sharif’s debut book of poems inquires through a powerful collection of verse that integrates the Defense Dictionary lexicon.

John Wieners’s Supplication: Selected Poems and Stars Seen in Person: Selected Journals by Patrick James Dunagan
Wieners John 01 Bomb 134

The newly published journals match and exceed all preexisting Wieners publications. 

The Total System by Andrew Durbin
John Cage Diary Bomb 1

On John Cage’s Diary: How to Improve the World (You Will Only Make Matters Worse)

Alice Notley by Robert Dewhurst

Notley’s body of work consists of over thirty-five collections of poetry and prose. To consider her oeuvre, in her interlocutor’s words, is to court “cerebral and sensory overload.”

Tonya Foster & John Keene
Mutu Wangechi 1

Foster and Keene discuss the strategies for black resistance in their respective new books—the poetry volume A Swarm of Bees in High Court and Counternarratives, a collection of short fictions.

Craft Talk Nobody Asked For by Justin Taylor
Albert Henry Arden

One of my favorite books of short fiction from the last few years is Sam Lipsyte’s The Fun Parts. I often assign stories from it in my workshops and have been waiting for an opportunity to teach the whole collection. 

Robert Grenier and Paul Stephens
​CAMBRIDGE M'ASS Robert Grenier

CAMBRIDGE M’ASS, originally published by Lyn Hejinian’s Tuumba Press in 1979, marked Robert Grenier’s shift to visual poetry. Celebrating its recent reprint, Paul Stephens talks with him about the oversize poster-poem, where poetry is both map and maze.

Little Wings by Tobias Carroll
Little Wings 01

“Lil Wayne explains a blade of grass.”

P. Inman’s Written: 1976–2013 by Ian Dreiblatt
P Inman

Inman is a realist of language’s tendency to become material: his poems exemplify the ways in which writing both preserves and interrupts language, and how it fluctuates in an ambivalent space between being a record of vanished speech and one of language’s living forms.

Claudia Rankine by ​Lauren Berlant​
​Jeff Wall

I met Claudia Rankine in a parking lot after a reading, where I said crazy fan things like, “I think we see the same thing.”

Paper Clip #72 by Ryan Sheldon
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Paper Clip is a weekly compilation of online articles, artifacts and other—old, new, and sometimes BOMB-related.

Takashi Hiraide by Will Heyward
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A fateful cat, the infinitude of the home-run zone, and literature that cannot tell a lie.

James Sherry by Zoe R Panagopoulos
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Beyond the pastoral, James Sherry engages our biosphere with the syncretic Oops! Environmental Poetics.

Paper Clip #32 by Jacob Forrest Severn
Day One

Paper Clip is a weekly compilation of online articles, artifacts and other—old, new, and sometimes BOMB-related.

Clark Coolidge’s A Book Beginning What and Ending Away by Wendy Lotterman
Clark Coolidge 01

Twenty chapters of poetry compose Clark Coolidge’s Gesamtkunstwerk, the division between each a shoddy dam allowing themes to spill back and forth—geology, Zukofsky, Dalí. 

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