The artists talk about the desire for blonde.
Photography at the intersection of the historical and the prosaic.
Photographs that make you look twice.
A retrospective exhibition of a unique photographer’s work.
Capturing subtle moments of transition.
A collaboration between B. Ingrid Olson and Kate Zambreno.
Two poets and a photographer discuss the presence of absence, the power of the number three, and art as documentation and disruption.
A pioneer of feminist filmmaking considers how social engagement, literature, and a keen sense of the corporeal inform her vision.
From Super PAC to supernova, two artists view photographs through the lens of time, and time through the lens of colonialism.
Embracing divine identity through photographic portraiture.
Making urban history visible.
Photographs and textiles that materialize community.
The debut novelist of Self-Portrait with Boy on the DUMBO of the 1990s, accidental art, and the importance of being unladylike.
Portraiture as a form of mapping.
In 2017, I moved for several months to Ayvalik, a seaside town in southern Turkey. My father had spent many summers there in a two-story family house that overlooked the Aegean Sea. It was a place he loved. I couldn’t save my father. I decided to save his house instead. With the help of locals, we brought it back to the way it used to be.
Photographer Peter Funch’s new book, 42nd and Vanderbilt, is a clever meditation on the commute, but more specifically, it’s a tightly designed experiment about routine.
The artist talks about the genesis, composition, and execution of a recently completed work.
Chroniclers of restless wanderlust.