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from The Manhattan Project by László Krasznahorkai
614922369 03272017 Laszlo Krasznahorkai Ornan Rotem Bomb 01

I sat at the bar of the Zwiebelfisch in Berlin together with David Bell, the renowned Kant scholar; it happened to be one of his regular haunts and it was the only spot where we could have an undisturbed meeting whenever he was in Berlin.

Amie Siegel

Amie Siegel’s exhibition Provenance, her first at Simon Preston Gallery, might close this Sunday, October 6, yet it constitutes only one of the stages of a larger project that tracks the global flow of commodities accruing cultural and economic capital as they become extracted from their primary context. by Sophie Buonomo
Hotel Art 1 on guerrilla-style curating, online galleries and why we really go to art openings.

Studio Visit: Chloë Bass by Sophie Buonomo

BOMB visits Chloë Bass’s Bedford-Stuyvesant studio to discuss invisible performance artists, documenting ephemera and creating The Bureau of Self-Recognition.

Tribble & Mancenido by Ashley McNelis
Daddy Issues And Single Mama

Tribble & Mancenido on nature as an artistic medium and the mythical reality of their year-long venture into trucking.

Nigel Rolfe by Jeremy Sigler
Mire Fall Body
LaToya Ruby Frazier and Greg Lindquist
10 02 Body

Photographer and curator LaToya Ruby Frazier sat down with painter Greg Lindquist to discuss the aesthetics of gentrification and decay.

Mary Ellen Caroll’s Federal by Charles Renfro
Article 5605  Mary  Ellen  Carroll

In a word, Mary Ellen Carroll’s Federal is boring—and that’s why it’s so effective. 

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