The revealing/concealing nature of self-portraiture.
Photographer Peter Funch’s new book, 42nd and Vanderbilt, is a clever meditation on the commute, but more specifically, it’s a tightly designed experiment about routine.
“A photograph is always a record of a relationship.” —Susan Meiselas
After playing video poker and walking the boardwalk all night, we stopped by Trump Taj Mahal on our way out of town to gawk at the business our president ran into the ground.
Old iconography in a new France
Border crossings in recent photobooks by Adam Golfer, John Radcliffe Studio, and Paul Turounet