Photobooks

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The Body and Its Image: Janice Guy by Matthew J. Abrams
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The revealing/concealing nature of self-portraiture. 

Peter Funch’s 42nd and Vanderbilt by Gideon Jacobs
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Photographer Peter Funch’s new book, 42nd and Vanderbilt, is a clever meditation on the commute, but more specifically, it’s a tightly designed experiment about routine.

A Photographic Ethics: Susan Meiselas: On the Frontline by Alexandra Nicolaides
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“A photograph is always a record of a relationship.” —Susan Meiselas 

From Liquidation by Joey Yearous-Algozin & Holly Melgard
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After playing video poker and walking the boardwalk all night, we stopped by Trump Taj Mahal on our way out of town to gawk at the business our president ran into the ground.

Portrait of the Artist as a Room by Lynne Sachs
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On Studio: Remembering Chris Marker

Alessandra Sanguinetti’s Le Gendarme sur la Colline by Gideon Jacobs
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Old iconography in a new France

Frayed at the Edges by Paula Kupfer
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Border crossings in recent photobooks by Adam Golfer, John Radcliffe Studio, and Paul Turounet

Daido Moriyama by Bree Zucker
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“The street is always interesting because any world of images I construct is promptly dismissed once I go outside.”

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