The writer of the Poena Damni trilogy on analytic philosophy, polyphonous narrators, and alternate consciousness.
The poet on the virtues of improv, the cost of solitude, and having deep conversations with other texts.
A retrospective by the groundbreaking conceptual artist.
A collaboration between B. Ingrid Olson and Kate Zambreno.
A German play based on a French memoir reflects on the global Left’s abandonment of the working class—and finds additional significance in the Age of Trump.
humself, shamself, hymnself, shameself—. / lameself, lambself, numbself, unself—. / sing anger, goddess, of—. many devices—.
The German philosopher holds forth on love, diagrams, and his particular style of oration. His book Inconsistencies will appear in English this fall from MIT Press.
Through sewing, weaving, and embroidery, two artists probe the boundaries between texts and textiles.
“Hippias Minor is such a handy introduction to Socrates as a personality, to this method of argumentation, to the culture of Athens where you have all these hot-shot foreign speakers like Hippias coming in and making the intellectual fermentation even stronger.”
The smaller the animal, the less the distance between being and its sensation. In this way, the smallest beings are closer to presence than us, who come face to face with being and do not sense it.
“A very specific, peculiar sort of universe-in-a-bottle.”
“Who speaks in the work of Samuel Beckett?” asks Simon Critchley in his probing 1998 essay on the nature of the Irish writer’s narrative voice.
Casanova, Dracula, and art in the age of digital filmmaking.
Frederik: A story in film, sculpture, and works on paper.
I took the morning TGV from Poitiers to Paris on January 15th to ask Etel Adnan a question. She was about to receive France’s highest cultural honor, the Ordre de Chevalier des Arts et des Lettres. Her collected writings are imminent with Nightboat Books, and she has been the late star of Kassel.
Artist Heidi Norton and philosopher Michael Marder discuss the ethics of plants and differentiate between “nature” and “ecology.”
I don’t remember when Amy and I first met—it must have been in the mid ’90s. However, I do remember that she saved my life by being one of the few artists who genuinely seemed to admire and enjoy what I was doing at a time when my work was barely known.
Von Trotta and actress Barbara Sukowa discuss their history together, the role of radical women in Germany and their latest film, Hannah Arendt.
Pataphysics: A Useless Guide, a theological pseudoscience, defines hand gestures as providing access to the divine, and others as blasphemy.