Performance

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Divining the Boundaries of Light: Emily Johnson Interviewed by Ivan Talijancic
Emily Johnson1

Performance and community. 

Studio Visit: Narcissister by William Corwin
Narcissister1

A new film documents the performer.

From Affinity to Twinship: A Conversation by Leah Dieterich & Meg Whiteford
Dancers At The Bar Ii

On writing about performance and relationship paradigms.

Masks That Conceal and Reveal: Maxwell Deter Interviewed by Naomi Falk
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An artist’s collaboration with musicians.

Shahryar Nashat and Adam Linder by Aram Moshayedi
Al 5 Cmyk

An artist and a choreographer challenge the term collaboration, which they see as an approach rather than an outcome or frame of interpretation. 

Sculpture and Sound: Naama Tsabar Interviewed by Naomi Lev
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Blending objects with performance.

The Dream Image: Branden W. Joseph Interviewed by Felix Bernstein
Joseph Bernstein

Editing a collection of artist Carolee Schneemann’s writings.

The Haunting of Reza Abdoh by Marc Arthur
Quotations 2

Reza Abdoh, the first large-scale retrospective of the late Iranian-American theater director’s work, is on view through September 3 at MoMA PS1. The comprehensive exhibition was co-organized by Bidoun’s Negar Azimi, Tiffany Malakooti, and Babak Radboy alongside MoMA PS1 director Klaus Biesenbach.

The Collective Body: Maria José Arjona Interviewed by Cecilia Fajardo-Hill
Arjona1

Performance as a poetry of long duration.

Weird Science: Built For Collapse’s DANGER SIGNALS by Amber Power
Danger Signals1

The gendered history of lobotomy.

Architecture as Metaphor: William Forsythe and Tino Sehgal at A Prelude to The Shed by Cory Nakasue
Shed Prelude 01

A taste of what’s to come at Manhattan’s new space for multidisciplinary programming.

Elliptical Communication: Alexandra Pirici’s Co-natural by Rachel Valinsky
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Citation, embodiment, movement, and holograms.

On the Chaos of Bodies: David Grubbs and John Sparagana in Conversation
Sparagana 01

The collaborators on riots, punk, Richter, and the new book Now that the audience is assembled.

Joseph Keckler by Olivia Laing
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Writer and vocalist Keckler performs impersonations of obscure larger-than-life personalities he meets. In her first novel, Laing impersonates Kathy Acker.

Kaneza Schaal by Christopher Myers
Schaal 4

Putting diverse cultural and aesthetic traditions in dialogue, Schaal’s new performance work, Jack &, is a comedy of errors based on prison reentry programs and debutante balls.

Holy and Profane: Marianna Ellenberg Interviewed by Wendy Vogel
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Nineteenth-century female hysteria and contemporary digital culture on stage.

Unusual Instruments: JD Samson Interviewed by Tess Altman
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Stone as material and metaphor. 

Chance and Agency: Carolee Schneemann’s Use of Fire by Olivia Gauthier
Schneemann3

“The meaning of art is destruction.”

Postmodern Pilgrims: Richard Maxwell’s Paradiso by Helen Shaw
Maxwell1

The third in a series of plays inspired by the Divine Comedy

Dorito Divas: Isaac Pool Interviewed by Jeanine Oleson
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Starring fennel. 

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