Blending objects with performance.
Editing a collection of artist Carolee Schneemann’s writings.
Reza Abdoh, the first large-scale retrospective of the late Iranian-American theater director’s work, is on view through September 3 at MoMA PS1. The comprehensive exhibition was co-organized by Bidoun’s Negar Azimi, Tiffany Malakooti, and Babak Radboy alongside MoMA PS1 director Klaus Biesenbach.
Performance as a poetry of long duration.
The gendered history of lobotomy.
A taste of what’s to come at Manhattan’s new space for multidisciplinary programming.
Citation, embodiment, movement, and holograms.
The collaborators on riots, punk, Richter, and the new book Now that the audience is assembled.
Writer and vocalist Keckler performs impersonations of obscure larger-than-life personalities he meets. In her first novel, Laing impersonates Kathy Acker.
Putting diverse cultural and aesthetic traditions in dialogue, Schaal’s new performance work, Jack &, is a comedy of errors based on prison reentry programs and debutante balls.
Nineteenth-century female hysteria and contemporary digital culture on stage.
Stone as material and metaphor.
“The meaning of art is destruction.”
The third in a series of plays inspired by the Divine Comedy.
Anointing her canvases with minerals, plants, smoke, and even animal urine, Dodd casts her installations as sites of ritual.
The two artists consider the roles that trust and doubt play in their expressions of the ineffable.
Featuring selections by Bethany Ides, Isaac Pool, Charles Bernstein, Matthew Weinstein, Ivan Talijancic, and more.
A daydream by a night owl.
The body as social sculpture.