Perception

34 Articles
Sorted by
Sarah Oppenheimer by Alexander Galloway
Sarah Oppenheimer 05 Bomb 137

Open floor plans are less open than we think—and ripe for intervention. Oppenheimer’s latest effort is on view at the Pérez Art Museum Miami.

BOMB Specific by Katherine Hubbard
793070985 08282015 Hubbard Katherine 01 Bomb 133

Katherine Hubbard is an interdisciplinary artist based in Brooklyn. 

Neo Rauch by Sabine Russ
Rauch Marina

“A precisely aimed reach into the immeasurable flow of things.”

Takashi Makino’s 2012 by Marianne Shaneen
Takashi Makino's 2012

Takashi Makino’s thirty-minute film 2012—screened as part of the New York Film Festival’s Projections series in October—drenches the audience with sounds of prolonged resonant scraped string textures and images of shimmering blue clouds of drifting particles. 

Finnbogi Petursson’s Second/Second by Scott Turri
​Finnboggi Petursson, Infra-Supra

On his second stop at Wood Street Galleries, Icelandic artist Finnbogi Petursson returns with Second/Second, his first solo US exhibition, featuring two large installations involving sound, light, and water.

R. H. Quaytman by Antonio Sergio Bessa
O Tópico, Chapter 27 01

On painting, architecture, and working in “chapters.”

Studio Visit: Chloë Bass by Sophie Buonomo

BOMB visits Chloë Bass’s Bedford-Stuyvesant studio to discuss invisible performance artists, documenting ephemera and creating The Bureau of Self-Recognition.

Halsey Rodman by Ulrike Müller
Rodman 01

When asked about the triangles that populate his work, Halsey Rodman mentions, among other inspirations, the light beam of a flashlight in a cartoon—Inspector Clouseau projecting yellow triangles across flat blackness.

Fluid Brutality by Jesse Zaritt
Political Mother Julieta Cervantes Body
Lucy Raven by Jason Simon
Lr Rpx 2 Body

“The traditional economies of film are a little more transparent, right? Like at the movie theater, you buy a ticket, and you have a sense of the way film production happens. But that whole apparatus is invisible in an art context.”

Liz Deschenes by Kathleen Peterson
Ldeschenes 5 Body

“Photography is a translation of color and tones—a language. And just as significant is that absolutely nobody possesses an accurate color memory.”

Beth Gill and Electric Midwife by Lauren Bakst
Electric Midwife 1

Lauren Bakst talks with choreographer Beth Gill and the six women who perform in her latest work,Electric Midwife, about the perceptual possibilities of doubling and the depths of understanding sameness and difference.

David Toop by Keith Connolly
David Toop By Robin Parmar

No-Neck Blues Band’s Keith Connolly queried David Toop on inchoate listening, eavesdropping, and the uncanny—as contemplated in Toop’s new book, Sinister Resonance: The Mediumship of the Listener. From the current issue, BOMB 113, Fall 2010.

Jacqueline Humphries by Cecily Brown
Humphries 01

It’s a relatively limited type of adjective that clings to recent abstract painting: intricate, quiet, lyrical, seductive, mysterious, atmospheric.

Lucia Koch by Mário Ramiro
Lucia Koch 01

Artist Mário Ramiro on the work of Lucia Koch. WEB EXTRA: Watch Koch’s collaborative animation, Olinda-Celeste!

Anthony McCall by Stephen Johnstone & Graham Ellard
Anthony McCall 01

Anthony McCall speaks with fellow artists Graham Ellard and Stephen Johnstone about his latest work, Between You and I.

Pedro Reyes by Tatiana Cuevas
Reyes 01 Body

Pedro Reyes works within a complex system of associations that defies our assumptions about the ways in which knowledge is categorized and legitimized. 

Tony Conrad by Jay Sanders
Conrad 02 Body

Over the past four decades, Tony Conrad’s legendary work in minimalist music, experimental film and video, has been seminal in the development of those art forms.

Olafur Eliasson by Chris Gilbert
Eliasson 03 Body

Conceptual art’s shift away from the traditional art object—sometimes dubiously referred to as “dematerialization”—was more or less an idée reçue in the late 1980s and early ’90s, when Olafur Eliasson was beginning to make art as a student at the Royal Academy of Arts in Copenhagen.

Janet Cardiff by Atom Egoyan
Cardiff 01 Body

The first work of Janet Cardiff’s I encountered was Whispering Room. I entered a room at the Art Gallery of Ontario where a series of audio speakers mounted on thin metal stands emitted a soft murmur of conversation. 

No more results to load.
Nothing found—try broadening your search.