The artist talks about the genesis, composition, and execution of a recently completed work.
A lifelong fascination with natural forms and outer space is at the heart of Hunt’s sculptures and paintings.
“I’ve always wanted to make something as good as an iPhone, and I never could, but Apple could never make anything as shitty as one of my sculptures or movies. And that’s a huge advantage.”
Performance, improvisation, and chasing the perfect drone.
With official-seeming letters folded next to staged photographs, the project moves fluently between the evidentiary and the fanciful.
Sussman’s remarkable new film, whiteonwhite:algorithmicnoir is an sci-fi narrative that constantly re-edits itself. The filmmaker talks to poet Yankelvich about outdated notions of the future, Malevich and Kazakh deserts.
Right after she slammed the door, he received through the mail slot—yes, it was definitely addressed to him—an offer to buy a cemetery plot.
Long exposures in harsh climates, sunbursts, even skydiving—Sharon Harper’s dogged and sometimes daring working method lies somewhere in the midst of art, astronomy, and Outward Bound