Osman Can Yerebakan

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Do Not Ignore the Gift: Shannon Cartier Lucy Interviewed by Osman Can Yerebakan
A painting of a Dalmation on a tabletop undergoing an autopsy with its innards graphically exposed.

Paintings that delve beneath the surface of everyday life.

Do Not Ignore the Gift: Shannon Cartier Lucy Interviewed by Osman Can Yerebakan
A painting of a Dalmation on a tabletop undergoing an autopsy with its innards graphically exposed.

Paintings that delve beneath the surface of everyday life.

Inclusive Family: Elliott Hundley Interviewed by Osman Can Yerebakan
A large predominantly red collage consisting of oil stick, encaustic, paper, plastic, pins, photographs, fabric, foam and linen on panel.

Collages as characters.

Material Intelligence: Teresita Fernández Interviewed by Osman Can Yerebakan
A large, brown, abstract wall work made with glazed ceramic tiles titled, Caribbean Cosmos, by Teresita Fernández

Artworks that challenge colonial narratives.

Paintings Can Talk Back to You: Robert Nava Interviewed by Osman Can Yerebakan
A painting of an angel floating above white clouds and against a blue background titled, Cloud Rider Angel, by Robert Nava

A series of canvases featuring portraits of angels.

Speaking Beyond Language: Lin May Saeed Interviewed by Osman Can Yerebakan
A wall panel featuring livestock swimming in a flooded village titled, Hawr al-Hammar/Hammar Marshes, by Lin May Saeed

Depicting animals and their liberation.

Finding Hope in the Chaos: Ali Banisadr Interviewed by Osman Can Yerebakan
A large blue painting featuring a process of blurry figured titled, The Caravan, by Ali Banisadr

Paintings that blend and blur the world together.

Reflecting Uncertainty: Will Ryman Interviewed by Osman Can Yerebakan
A stainless steel sculpture of four humanoid figures sitting around a table titled, Dinner III, by Will Ryman

Rendering an absurdist dinner party in stainless steel sculpture.

Dissimilarity in Unity: Richard Tuttle Interviewed by Osman Can Yerebakan
Richard Tuttle1

The artist discusses his approach to drawing and color.

West Meets East: Piotr Uklański Interviewed by Osman Can Yerebakan
Piotr Uklanski1

Repainting a European encounter with the Ottoman Empire.

The Art of Satire: Slavs and Tatars Interviewed by Osman Can Yerebakan
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Fleshy ideas of language.

Studio Visit: James Benjamin Franklin by Osman Can Yerebakan
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The artist finds inspiration, and space, in Detroit for his sculptural paintings.

Dynamic Composition: David Salle Interviewed by Osman Can Yerebakan
David Salle1

Heightening the experience of images.

Curating as Storytelling: Omar Kholeif Interviewed by Osman Can Yerebakan
Omar Kholeif1

Slowing down images and information.

Studio Visit: Damián Ortega by Osman Can Yerebakan
Damian Ortega1

The human element of architecture.

Whimsical Nature: Paola Pivi Interviewed by Osman Can Yerebakan
Paola Pivi1

Art as an impossible miracle.

Starting with Place: Katerina Gregos Interviewed by Osman Can Yerebakan
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Art in a time of rapid change. 

Metaphors of Migration: Yinka Shonibare Interviewed  by Osman Can Yerebakan
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A public sculpture tries to grasp the wind.

Resisting Exploitation: Sky Hopinka Interviewed by Osman Can Yerebakan
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Films that combine documentary and poetics.

Restless Surfaces: José Parlá’s Amistad América by Osman Can Yerebakan
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A mural’s ode to labor and migration.

The Strange and the Mundane: Torbjørn Rødland Interviewed by Osman Can Yerebakan
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Photographs that make you look twice.

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