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The Ross Brothers by RaMell Ross
A still from the film 'Bloody Nose, Empty Pockets' by the Ross Brothers. A wide landscape shot of two people standing on a concrete wall covered in colorful graffiti. The sky is dusky blue. There is a blue silhouette of mountains in the background.

The filmmakers question the conventions of documentation with work that seeks transparency and authenticity outside of the fiction–nonfiction dichotomy.

The Ross Brothers by RaMell Ross
A still from the film 'Bloody Nose, Empty Pockets' by the Ross Brothers. A wide landscape shot of two people standing on a concrete wall covered in colorful graffiti. The sky is dusky blue. There is a blue silhouette of mountains in the background.

The filmmakers question the conventions of documentation with work that seeks transparency and authenticity outside of the fiction–nonfiction dichotomy.

Fear Can Set Us Free: Kiyoshi Kurosawa’s To the Ends of the Earth Reviewed by Ken Foster
A young Japanese woman with a scarf around her head holds and looks down at a video camera, presumably filming what is in front of her.

A young Japanese journalist shooting a televised travel program in Uzbekistan confronts her deepest fears and hidden aspirations.

Janaina Tschäpe by Francesco Clemente
2 Jts P 18 4336 Shadow Lake 2018 Photo Jason Wyche

The paintings in HumidGray and ShadowLake evoke synesthetic colors, remembered landscapes, and the physical performance inherent in marking a canvas.

Dispatches from Proje Su by Aidan Koch & Margaret Ross Tolbert
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For the past five years, artist Margaret Ross Tolbert has been traveling to southern Turkey to the site of ancient Lycia, an autochthonous culture with roots in the Bronze Age, later Hellenized, and eventually controlled by the Romans.

Paulina Olowska’s Slavic Goddesses—A Wreath of Ceremonies by Charity Coleman
Paulina Olowska 01

A feminist paean from one Polish artist to another

Adam Green, Alia Shawkat, & Francesco Clemente
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“You’re looking at the human inverse of a technological idea.”

Momus by Ross Simonini
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Myths in the educational ghetto.

House/Hold and Family Portrait by Hillerbrand+Magsamen

A selection from husband and wife team Hillerbrand+Magsamen’s House/Hold series (2011-12), plus a video excerpt of Family Portrait (2012).

Bonnie Collura by Jenifer Berman
63 Bonnie Collura

Painted sleek and smooth, almost candy-coated in their plastic finish, Bonnie Collura’s sculptures long to be touched. They tempt, like a shiny red apple. 

Robert Schenkkan by Stuart Spencer
Schenkkan 01 Body

Robert Shenkkan talks to Stuart Spencer about his nine-play, six-hour epic The Kentucky Cycle, which won the 1992 Pulitzer Prize for Drama.

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