Music Videos
June explores the roots—and the promise—of blues, gospel, and folk music on her new album, The Moon and Stars: Prescriptions for Dreamers.
This excerpt is from BOMB’s Spring 2021 issue.
June explores the roots—and the promise—of blues, gospel, and folk music on her new album, The Moon and Stars: Prescriptions for Dreamers.
This excerpt is from BOMB’s Spring 2021 issue.
The artist mines the visual languages of virtual reality, contemporary dance, music videos, ancient Roman architecture, and West African shrouding rituals to create a “weird, metastasized utopia” of digital social space.
Embracing boredom and creative constraints, Katchadourian tells of in-flight artwork and other conceptual projects.
“When I’m home, I’m completely alone. I get the creative bug, and if I’m sitting here long enough not working on music, it drives me insane.”
Musician Kai Hugo on conspiracy theorists, cassette tapes, and video confabulations.
Paper Clip is a weekly compilation of online articles, artifacts and other—old, new, and sometimes BOMB-related.
Paper Clip is a weekly compilation of online articles, artifacts and other—old, new, and sometimes BOMB-related.
Paper Clip is a weekly compilation of online articles, artifacts and other—old, new, and sometimes BOMB-related.
Paper Clip is a weekly compilation of online articles, artifacts and other—old, new, and sometimes BOMB-related.
Watch Matmos’s new video, directed by M.C. Schmidt, for “Luminous Rings,” a bonus track from their recent album.
David Kilgour of New Zealand pop legends the Clean took some time to throw together a mixtape of sun-drenched psychedelic gems.
In the latest edition of Bomb’s mixtape series, D. Charles Speer and the Helix’s David Shuford lets us in on some of his favorite Youtube cuts, with artists ranging from ’60s Honky Tonk pop gold to postmodern experimental sound art.
The infinitely prolific songwriter R. Stevie Moore will play in New York on August 11. He talks process and practice with artist David Shrigley, whose career was recently surveyed in a retrospective at London’s Hayward Gallery.
“I admire people who make it sound easy. Stephen Malkmus makes it sound pretty easy.”
Singer/songwriter Juliana Hatfield discusses her solo career since the break-up of Blake Babies, her mid-’80s Boston-based garage pop band.
“People tend to think that our band is defeatist. Or above it all. It’s not true. We’re definitely a populist, garage band. As far as what critics should be writing about, I’ll leave that up to them.”
