Multimedia Works

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Iman Issa by Andrew Weiner
Iman Issa Bomb Magazine 01

A New York- and Cairo-based artist unpacks her understanding of heritage and how it can operate in contemporary art.

Eric Baudelaire by Benoît Rossel
Eric Baudelaire Bomb Magazine 01

Inspired by Japanese “landscape theory,” a Parisian artist-filmmaker explains why he prefers to show us the world as his subjects see it.

Annie Dorsen by Nick Hallett
Annie Dorsen Bomb 01

“I always nuance the algorithm.”

Sung Hwan Kim’s the Tanks at Tate Modern by Jessica Kate Weatherup
Tanks

Sung Hwan Kim’s The Tanks at Tate Modern uses mixed media to challenge reality, and how the artist and the viewer are both figments of the imagination.

Carmen Beuchat and Interdisciplinary Pollinations in the 1970s by Gabriela Rangel
Carmen Beuchat Bomb 120

Art history is an uneven and gendered discipline, especially in the southern tip of the West.

Ralph Lemon by James Hannaham
Lemon 10 Body

“The reason I am writing fiction is so that I can tell the truth from a vantage point that allows me some space.”

Jennie C. Jones by Stephen Vitiello
Jones 4 Body

Jennie C. Jones’s art reflects on the cultures of sound and music in a visual context. In recent years, she has presented cerebral and imaginative responses to what she calls “the physical residue of music,” using strips of audiotape, bits of wire, instrument cables, cassette casings, or handfuls of earbuds

Shake: 4-song 45-rpm record Black Lake by David Brody
Black Lake 01

David Brody praises the compelling rock-minimalist sounds of Slink Moss and Susan Jennings of Black Lake.

Andrew Lampert by Ed Halter
Comfortable Seats 1  Photo By Bryony Mcintyre Body

When Andrew Lampert performs his new piece Jacka Spades, he sits somewhere close to the front of a theater, operating a Super-8 projector in plain view of the audience.

Jejune Institute and Elsewhere by Christine Lagorio
Article 4819  Jejune Institute

Departing a clandestine appointment in a San Francisco office tower, Jejune Institute inductees puzzle over an encrypted instruction key.

Anthony Huberman’s For the Blind Man in the Dark Room Looking for the Black Cat That Isn’t There by Mónica de la Torre​
Article 4816  Blind  Man 1

“Meow!” might serve as the inscrutable sound bite of this traveling exhibition curated by Anthony Huberman which started at the Contemporary Art Museum in St. Louis last fall and ends at the Culturgest—Fundação Caixa Geral de Depósitos in Lisbon this summer.

Paul Pfeiffer by Jennifer Gonzalez
Pfeiffer 01 Body

Winner of the Whitney Museum’s first Bucksbaum award in 2000, Paul Pfeiffer has received attention over the last few years for his provocative digital video production.

Steve Reich and Beryl Korot by Julia Wolfe
Reich 01 Body

One stormy night this summer in New York, I trekked over to Steve Reich and Beryl Korot’s place to see and hear their new video opera, Three Tales

Mark Pauline by Bill Edmondson
Pauline 01

Mark Pauline and Survival Research Laboratories are leading exponents of machine performance.

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