Migration & Integration
Work that illustrates how margins and centers interact.
Art of enslavement and escape.
Let’s begin with an image Peter Manseau’s character Itsik Malpesh always returns to: a toddler clenching her fist in the air to stop a mob, mid-pogrom.
Immigrant #8: Under a Public Skin
On the corner of 33rd and 5th,
1. Of the color of daylight in eternity
He forced his gaze past his own reflection in the plate-glass window of the restaurant, past the inverted letters announcing Thai, Cambodian, and Vietnamese cuisine, to the night beyond.