Migration
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Two artists manifest, claim, and demand space in a society that operates around violence against black women’s bodies while pretending that they don’t exist.

From Return to the Yakne Chitto: Houma Migrations (Neighborhood Story Project, University of New Orleans Press, 2019), a collaborative ethnography of Houma lifeways at the ends of the Louisiana bayou.

For Marwa Helal and me, the histories of our two countries—Egypt and Sudan—are inextricably linked, our shared Nile both the most obvious and fertile metaphor.

On occasion of Sniadecki’s current project, A Shape of Things to Come, the two filmmakers trade insights on “sensorial cinema” and working with reclusive desert-dwelling subjects.
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