Media Studies

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Portfolio by David Berezin

Hollywood, its shopworn (and ridiculous) gender constructs, and canned sentimentality are the prime targets of David Berezin’s work in photography and video.

Portfolio by David Berezin

Hollywood, its shopworn (and ridiculous) gender constructs, and canned sentimentality are the prime targets of David Berezin’s work in photography and video.

Astra Taylor’s The People’s Platform by Orit Gat
Astra Taylor Bomb 130

Was the Internet intended for you? It’s hard to think about it structurally without throwing personal use into the mix.

Giuliana Bruno by Sarah Oppenheimer
Anthony Mccall Long Film For Four Projectors

Navigating the concentric interiors of the Glass Pavilion at the Toledo Museum of Art, the building unfolds along a serpentine walkway. Through the museum’s glass walls, the view opens uninterrupted. 

House Arrest: Taliesin by Bodhi Landa
House Arrest Exhibition Taliesin Body

The artist Taliesin pays homage to the spirits and toys with commercialism.

Hand-Held Visions: The Impossible Possibilities of Community Media by DeeDee Halleck by Martha Rosler
DeeDee Halleck 01

The chapter titles of activist and artist DeeDee Halleck’s guide to cheap, collaborative media speak for themselves, advising readers on “Community Control of Technology” and “Experimental Video and Public Television.”

Is It Hemingway Or Is It Memorex by Glenn O'Brien
Lucio Pozzi 01 Bomb 004

In much the same way that painting changed with the development of photography, writing has changed with the development of the tape recorder. 

Popular Culture and Personal Vision by Michael Gitlin
Michael Gitlin Body

Our culture’s dreams of sex, money, beauty, and youth are compressed into explosive little images of desire.

Communications Update: A Cable TV Show by Liza Béar
Communications Update

The Public Airwaves: teletype originating in New York travels across the video image beamed from San Francisco and is returned.

Mica TV by Carole Ann Klonarides
Carole Ann Klonarides

I sat behind the front desk of a well known art gallery for six years. This gallery had an “open viewing policy” which means that any artist could come in the gallery with representation of his artwork, have it looked at, and considered for exhibition.

The Writing On the Wall: Jim Chladek by Michael McClard
Chladek 02

On the brink of the massive 1984 cable deregulation, Michael McClard talks TV politics with ETC’s Jim Chladek. With home entertainment changing, yet again, by the internet, this discussion on public access takes on new meaning.

New World Information Order: Manifesto of the Non-Aligned Movement  by Liza Béar

For over a decade, on the international circuit in Nairobi, Havana, Paris and Belgrade, at first in UNESCO corridors, later on the agenda of working subcommittees, a new concept has been gaining ground.

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