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Billy-Ray Belcourt by Layli Long Soldier
Billy Ray Cover 2

As an Indigenous poet, Belcourt is creating space for himself and his community in “a world we did not want, a world that we did not build for ourselves.”

Billy-Ray Belcourt by Layli Long Soldier
Billy Ray Cover 2

As an Indigenous poet, Belcourt is creating space for himself and his community in “a world we did not want, a world that we did not build for ourselves.”

Vi Khi Nao by Louis Elliott
Vi Khi Nao Covers

From personal ads compiled as narrative to a frame-by-frame retelling of a short film on grazing sheep, Nao’s poems and stories are acrobatic experiments in form.

Poetry is Play: Rachel Rabbit White Interviewed by gin hart & mal young
Rachel Rabbit3

The writer on romance under capitalism, Nietzsche, sex work, and freedom from the tyranny of the sentence.

Elaine Kahn’s Romance or The End by Rob Goyanes
Romance Or The End

All loves—and all selves—are fictions. Though that doesn’t mean they aren’t true.

From Vincent and Alice and Alice by Shane Jones
Vincent And Alice

We’re walking through the centered skylight spaces of the mall. I drop back on the cloud-white floor tiles, holding my phone up to record a video. Beautiful in its own way to watch in reality, but when I replay the video, following Alice into a store selling soap, the video doesn’t show Alice, only oval shaped air heat-trembling at the edges. I replay it three times, shocked each time when I’m unable to see her.

Three Poems by Lily Blacksell
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blink twice, because you’re in / love. It is springtime, the merry / etcetera, look ahead, where we’re going / there’s a clearing and in the clearing / stands a boxer who must have slipped / his collar on the path running through / the field. He is panting, drooling, is all white / except for the pink of his exceptions– / 

We Are The Thoughts of Sorrows: On Lou Reed’s book of poems Do Angels Need Haircuts? by Alex Zafiris
Reed Review

After The Velvet Underground, a poetic underworld.

Baseera Khan’s iamuslima by Terence Trouillot
Baseera Khan 01

Exploring Muslim femininity through the politics of love

Jack Ferver by Joshua Lubin-Levy

Otherness is always such a big part of my work. Formally, I don’t fit any specific niche in performance. Some works, like this one, are theater that use dance. Some are more dance heavy, or maybe only dance if I’m making ballet.

Masha Tupitsyn by Charity Coleman
Masha Tupitsyn 1

Radical intimacy, technological estrangement, and hyphen as psychic portal.

Armel Hostiou by Gary M. Kramer
Armel Hostiou 01

Love, obsession, and comedy in the big city.

Etel Adnan by Lisa Robertson
Adnan 01

I took the morning TGV from Poitiers to Paris on January 15th to ask Etel Adnan a question. She was about to receive France’s highest cultural honor, the Ordre de Chevalier des Arts et des Lettres. Her collected writings are imminent with Nightboat Books, and she has been the late star of Kassel. 

I Can No Longer Hear The Guitar by Nicholas Elliott
I Can No Longer Hear The Guitar 06

On the intricate emotional architecture of Philippe Garrel’s autobiographical classic, based on his own romance with legendary chanteuse Nico.

Five Poems by Lucy Biederman
Signer 02 Body Body

Sears Modern Home

Don’t touch the river. And here you are with seaweed between your teeth. 

Bollywood Duet by Kyle Minor & Dini Parayitam
Himmatwala Body

“Talk to your father.”

“You’re married.”

Three Poems by Alex Dimitrov
For Alex  September 9  After Paris   2013 Body

Seduction and Its Immediate Consequences

One April in autumn you were my story for hours.

Listening to Cynthia by Katherine Cooper
this cement world

Katherine Cooper addresses a series of letters to performance artist Cynthia Hopkins in response to her work, This Clement World.

A.D. by Jericho Brown
Benlerner1 Body Body

Each wounds you badly, but no boy hurts
Like the first one did

you know i can’t imagine you were the magic* by erica lewis
Strauss01 Body Body

you know i can’t imagine you were the magic*

Blaze Thir Parts In Englyssche by Andrea Quaid
Jill Slaymaker

Andrea Quaid on love poetry’s lineage in Julian Talamantez Brolaski’s Advice for Lovers

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