Love
The director of the Oscar-nominated documentary, Jesus Camp, releases her first narrative film.
The director of the Oscar-nominated documentary, Jesus Camp, releases her first narrative film.
The two writers stroll the streets of Manhattan to talk about Dimitrov’s new poetry collection, Love and Other Poems, which traces his affection for the city.
In Evans’s first interview before the release of her new and unintentionally prescient collection, The Office of Historical Corrections, she discusses humor, power, and replicas of the Titanic.
On addressing systemic issues and creating access in the classical music industry.
As an Indigenous poet, Belcourt is creating space for himself and his community in “a world we did not want, a world that we did not build for ourselves.”
From personal ads compiled as narrative to a frame-by-frame retelling of a short film on grazing sheep, Nao’s poems and stories are acrobatic experiments in form.
The writer on romance under capitalism, Nietzsche, sex work, and freedom from the tyranny of the sentence.
All loves—and all selves—are fictions. Though that doesn’t mean they aren’t true.
We’re walking through the centered skylight spaces of the mall. I drop back on the cloud-white floor tiles, holding my phone up to record a video. Beautiful in its own way to watch in reality, but when I replay the video, following Alice into a store selling soap, the video doesn’t show Alice, only oval shaped air heat-trembling at the edges. I replay it three times, shocked each time when I’m unable to see her.
blink twice, because you’re in / love. It is springtime, the merry / etcetera, look ahead, where we’re going / there’s a clearing and in the clearing / stands a boxer who must have slipped / his collar on the path running through / the field. He is panting, drooling, is all white / except for the pink of his exceptions– /
After The Velvet Underground, a poetic underworld.
Exploring Muslim femininity through the politics of love
Otherness is always such a big part of my work. Formally, I don’t fit any specific niche in performance. Some works, like this one, are theater that use dance. Some are more dance heavy, or maybe only dance if I’m making ballet.
Radical intimacy, technological estrangement, and hyphen as psychic portal.
I took the morning TGV from Poitiers to Paris on January 15th to ask Etel Adnan a question. She was about to receive France’s highest cultural honor, the Ordre de Chevalier des Arts et des Lettres. Her collected writings are imminent with Nightboat Books, and she has been the late star of Kassel.
On the intricate emotional architecture of Philippe Garrel’s autobiographical classic, based on his own romance with legendary chanteuse Nico.
Sears Modern Home
Don’t touch the river. And here you are with seaweed between your teeth.
“Talk to your father.”
“You’re married.”