Latin American Theater

It takes a rare kind of playwright to evoke the head-spinning contradictions in our national political psyches.

Federico León’s recent Las multitudes was staged last year in Argentina. For Richard Maxwell, the playwright-director’s production is a “brokenhearted humanity tale.” A heroic one, at that, with 120 actors.

Federico León’s recent Las multitudes was staged last year in Argentina. For Richard Maxwell, the playwright-director’s production is a “brokenhearted humanity tale.” A heroic one, at that, with 120 actors.

Nilo Cruz and I recently found an hour to sit down with a tape recorder in my office at the McCarter Theatre in Princeton, New Jersey.

GUIDE: Ladies and gentlemen: Admission is ____________________________, for adults. If you’ve already paid, you can’t repent. 

“Not any one play is precious. You do the best you can in each situation as it comes to you. No writer is made of one play. If they are, they’re not very good writers.”

Allen Frame talks to playwright and director María Irene Fornés, author of several plays including the Obie-winning Mud, Danube, and Sarita.