Language Art (Fine Arts)

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Portfolio by Renee Gladman
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Renee Gladman is the author of ten works of prose and poetry, most recently Calamities, a collection of essay-fictions. Her first monograph of drawings, Prose Architectures, was published by Wave Books in 2017. She lives in New England with the poet-ceremonialist Danielle Vogel.

Portfolio by Adam Pendleton
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Black Dada, System of Display

James Hoff by Eli Keszler
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For Hoff, distribution networks serve as creative agents. Musician Eli Keszler queries the artist and publisher of Primary Information on paintings based on viruses and syndromes, and also on his pop-leaning sound works.

Shannon Ebner and Zoe Leonard
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Both artists overturn photographic conventions to slow down our reading of physical and verbal landscapes. Their exchange touches on the retina, the sun, and camera obscura.

Samuel Jablon by James Hyde
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With exuberance, Jablon’s paintings tell the story of their own making. They are what they are by showing how they got there and how they take up their subject—and that subject is text.

Portfolio by Horst Ademeit
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Discovered shortly before his death, Ademeit’s work is composed of photographs and annotations that tell the story of an individual undergoing an emotional crisis and attempting to establish a sense of order in a world that he considered to be chaotic.

Oscar Murillo by Legacy Russell
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When I meet Oscar Murillo for the first time, it is in Central London. Murillo lives and works in East London.

Portfolio by Anne GIlman
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“Observations, errors, + corrections” is a series of drawings I began in 2009 based on observations of the environments or situations I find myself in. 

Portfolio by Bjorn Copeland
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Suzanne McClelland by Barry Schwabsky
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Painter Suzanne McClelland discusses visual acoustics, marginal language and musical references with poet Barry Schwabsky.

Portfolio: From Various Music For a While by Elena Berriolo
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This First Proof contains two pieces by Elena Berriolo, from Various Music For a While.

Shifting Connections: Joseph Kosuth by Kathleen MacQueen
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Shifting Connections continues with writer and critic Kathleen MacQueen’s take on Joseph Kosuth’s new installation at Sean Kelly Gallery, on view through April 30th.

BOMB Specific by Franklin Evans

The image of a lone tree in a desolate landscape, which I saw in a printed photograph, has become a recurring motif in my work, including my recent exhibition 2008 / 2009 < 2009 / 2010 at Sue Scott Gallery, where the image in different forms populated the walls and floors of the installation.

Allen Ruppersberg by Cheryl Donegan
Singing Posters

The peripatetic conceptualist (Where’s Al?) talks with artist Cheryl Donegan about Ginsberg’s Howl, the reanimated past, and the overlooked poetry of authorless signage.

Wendy White by ​Kris Chatterson
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Kris Chatterson explores the raw, brash, confident paintings of Wendy White.

 Raymond Pettibon by Grady T. Turner
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Raymond Pettibon found his calling as an artist at about the same time punk hit Los Angeles in 1978.

Joshua Neustein by Kristine Stiles
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Speaking through materials, Joshua Neustein recalls cultural memory and history. His elegant and earthy installation Light on Ashes does just this.

Untitled by Sarah Rapson
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Untitled piece by Sarah Rapson. 

Double-Num Wall Tattoo by Gretchen Faust
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Pattern and instructions for a “wall tattoo,” titled Double-Num Wall Tattoo, by Gretchen Faust.

A Note To The Readers (More Pleasure Than Work) by Joseph Kosuth
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