Landscapes
The artist mines the visual languages of virtual reality, contemporary dance, music videos, ancient Roman architecture, and West African shrouding rituals to create a “weird, metastasized utopia” of digital social space.
The artist mines the visual languages of virtual reality, contemporary dance, music videos, ancient Roman architecture, and West African shrouding rituals to create a “weird, metastasized utopia” of digital social space.
Notions of ecological precarity and technological mediation enfold in the degraded landscape; the video artist surveys her decades of prescient and pressing work.
The poet on the physicality of language, making a process to mess it up, and curiosity as optimism.
A landscape painter explores the “bright, exuberant, plastic toxicity” oozing from the colors of our contemporary environment.
From Unnamed Road, 2010–15, a series of photographs taken in Israel and Palestine.
“How does it feel to be a problem? they say, I know an excellent colored man in my town; or, I fought at Mechanicsville; or, Do not these Southern outrages make your blood boil? To the real question, How does it feel to be a problem? I answer seldom a word.
Katherine Hubbard is an interdisciplinary artist based in Brooklyn.
During a train ride from New York to Massachusetts, Rosa Barba and Joan Jonas exchanged thoughts on volcanoes, deserts, and poetry, on film versus video, and the layering of time and place in their works.
A discussion of urbanism and Staten Island, cartography, and monumental sculpture’s place in modern society.
Setting soundtracks to the desert, the sea, and the sky.
“We have to tell the truth in the image.”
The historical, physical, and poetic forces that shape Ring’s triptych, Forgetful Snow.
The historical, physical, and poetic forces that shape Ring’s triptych, Forgetful Snow.
