Judaism

23 Articles
Sorted by
Charlemagne Palestine by Steve Dalachinsky
Palestine Mg 3725

“I like flirting with disaster. I like terms that are open and provocative and unusual and evocative and we don’t know where things will be going next.”

Phillip Lopate by Shifra Sharlin
Phillip Lopate

Phillip Lopate has had a good year, publishing To Show and To Tell: The Craft of Literary Nonfiction and Portrait Inside My Head. He spoke with Sharlin about humor, honesty, and his identity as a native New Yorker.

A.M. Homes by Jane Fine

A.M. Homes has an “oddly revealing” conversation with painter and friend Jane Fine. Homes’s new book May We Be Forgiven is in stores now.

The Eldridge Street Synagogue by Richard J. Goldstein

Driven by collaboration, combining old and new methods, and a unique symbolism, Deborah Gans speaks to Richard J. Goldstein about the rose window she and Kiki Smith designed for the landmark Eldridge Street Synagogue.

Peter Cole by Ben Lerner
Cole 01 Body

“I used to want to separate the poet from the translator in me, but that’s no longer possible, nor is it desirable. On the contrary.” 

Joe Zucker by Chuck Close
Zucker01 Body

“I have diversity in my work, but I also have control of it. I rarely paint things that I like.”

Anthony Coleman by Michael Goldberg
96Col01 Body

“Many people who study composition start out as improvisers in jazz or rock, working in bands on music that is not particularly notated. They hear some crazy and wild music and they want to figure out how it works; they hear a piece by Charles Ives or Cage or whatever, and then they want to be able to do that, but it comes out of a visceral impulse.” Anthony Coleman

Yehuda “Judd” Ne’eman by Janet Burstein
Ne Eman 01 Body

I learned early to differentiate art from politics. But the best Israeli films are inseparable from the political forces that shape them. 

Pearl Abraham by Aryeh Lev Stollman
Abraham02 Body

In The Seventh Beggar, Pearl Abraham has created a novel about the nature of storytelling beginning with Genesis. She takes us into a world that ranges from golems to robotics, mystical systems to artificial intelligence.

Ben Katchor by Alexander Theroux
Article 2668 Katchor 170X115

Ben Katchor is a recorder of vanished and vanishing places, a poet of the vast metropolis of New York. He notices, crucially, what others walk by, fail to see and generally disregard—a man living in the mosaic while seeing its details. 

Mauricio Kagel by Anthony Coleman
Kagel01 Body

Mauricio Kagel’s seminar in Aix-en-Provence, France, in the summer of 1981, sponsored by the organization Centre Acanthes, was a turning point in my life.

Jon Robin Baitz by Stephen Gaghan
Baitz01 Body

Robbie Baitz is a little bit of a communist in the way that Tolstoy was a little bit of a communist. He is fascinated by the backside of power and, I believe, could be as precise and loquacious in ripping Napoleon a new one as Count Leo ever was. 

The 19 Diaspora Paintings by Archie Rand

Archie Rand discusses his Diaspora Paintings and what it means to make Jewish art.

Aryeh Lev Stollman  by Betsy Sussler
Stollman01 Body

A neuroradiologist and writer whose father is an Orthodox rabbi, Aryeh Lev Stollman grew up in a home surrounded by both religious and secular books. 

Poets of the Levant by Lee Smith

A decade ago, with the 500th anniversary of Columbus’s voyage to the New World, a lively academic debate centered on whether the date should be celebrated, or, for all that the New World’s native inhabitants had suffered, remembered in mourning. 

John Zorn by Michael Goldberg
Zorn 01 Body

The first pieces I heard of John Zorn’s were both titled Lacrosse, one from 1979 and the other from 1981. 

Marc Ribot by David Krasnow
Ribot 02 Body

Downtown, no-wave, rock, free-prov guitarist Marc Ribot ventures intrepid into “prosthetic” Cubanismo on his album Marc Ribot y Los Cubanos Postizos. David Krasnow asks: “What’s this Jewish guy from Jersey doing playing the son montuno?”

Leon Wieseltier by Scott Smith

In his new, luminous book, Kaddish, Leon Wieseltier, literary editor of the New Republic, asks the question: Does an unhappy man know more than a happy man?

Aharon Appelfeld by Thomas Thornton
Aharon Appelfeld

Few fiction writers have captured the painful realities of the Holocaust as well as Israeli writer Aharon Appelfeld. He speaks here of the power of memory, the power of the spirit, and the place of religion and homeland as he has come to know it.

Alfred Uhry by Paul Rudd
​Alfred Uhry 01

Uhry’s first play, Driving Miss Daisy, won a Pulitzer Prize. His Obie-nominated play, The Last Night of Ballyhoo, is a poignant and hilarious encounter with an Atlanta family of German-Jewish descent just before the outbreak of WWII.

No more results to load.
Nothing found—try broadening your search.