The Italian filmmaker on community, verisimilitude, and her latest film, Happy as Lazzaro.
The directors’ latest work will be shown alongside the sweltering, grimy films that inspired it.
During a train ride from New York to Massachusetts, Rosa Barba and Joan Jonas exchanged thoughts on volcanoes, deserts, and poetry, on film versus video, and the layering of time and place in their works.
That summer, that hot Roman summer afternoon, I see you sitting on the curb, waiting for the door to open, & seeing all those movies, yes, that hot Roman summer day.
A Pope-to-be gives the “No thanks” to the Vatican. Where’s Skywalker when you need him?
What makes dreams so confounding and revealing is their juxtaposition of things known or remembered with the complete mysteries that lurk in the subconscious.
In an early scene of Life is Beautiful, Guido (Benigni), an assimilated Jew, poses as a Fascist official in order to steal a moment with the woman he loves, and finds himself in the awkward position of having to expostulate on racial superiority to a room full of schoolchildren
The icons of our affair with Italian cinema, from La Dolce Vita to L’Avventura, become the painted matter, stilled and contemplative, of Palazzolo’s new body of work.