Iranian Films
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The late Iranian filmmaker’s final work is an ethereal study of the mechanics of cinema.
The late Iranian filmmaker’s final work is an ethereal study of the mechanics of cinema.
In 1999, in consequence of the wide success of her video installation Rapture, Shirin Neshat achieved immediate celebrity as a major contemporary artist. This standing was reinforced by Fervor, one of the highlights of the Whitney Biennial 2000.
Winner of the Cannes 1995 Camera d’Or, The White Balloon by Iranian filmmaker Jafar Panahi brings drama and humor to a seven-year-old’s quest for a New Year’s fish.
“We can never get close to the truth except through lying.”
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