Internet Art

While taking a road trip across the US, the German artist reveals how digital technology, humor, and the human body inform his paintings and installations.

WWW highly enjoys collaborations and co-creation and is currently involved in the project Perfect Users: a remix group that reflects on using-in-general and digital anthropology (or not).

“The Internet is a predatory network that is, on one side, potentially a very coercive tool of totalitarian power and, on the other side, a tool that will increasingly be used to allocate rights and privileges through commercial means. Can we envision a different kind of network?”

A collective of three artists on their installations, a fusion of technology, architecture, the Internet, and real-life materials.

Paper Clip is a weekly compilation of online articles, artifacts and other—old, new, and sometimes BOMB-related.

Levi Rubeck talks about Ben Pease’s poetry channeling new digital media, personal history and psyche, and science fiction movies in his latest book of poetry Wichman Cometh.

Netartist Jon Rafman’s Kool-Aid Man avatar is one of his primary characters, taking appointments and leading tours through Second Life worlds both utopian and fetishistic, as well as starring in still images and films directed by Rafman himself, which humorously contrast the avatar’s round red body with the super-sexy alter egos more commonly seen in Second Life. He speaks with Lindsay Howard about his work. Featuring an original Kool Aid Man in Second Life video!

Bader devises a unique participatory environment which at first, the viewer (or reader) may not even register being a part of.